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The post-war years were a period of introspection for British society as the nation endeavoured to remain fiercely insular yet became increasingly troubled by geopolitical relations reshaping the war-torn continent. Britain swiftly assumed the role of the reluctant European; their opposition to integration hindered by a destructive nostalgia for the past, the perceived erosion of cultural heritage and a sense of English exceptionalism. Beginning with a brief contextual analysis of the events leading to the 2016 EU Referendum, this article will argue that early warning signs of British antipathy were evident in literary responses to integration from the creation of the European Coal and Steel Community (ECSC) to the signing of the Maastricht Treaty which established the European Union.Through a close reading of selected fictions by key figures in this period, including Kingsley Amis, Nancy Mitford, Angus Wilson and Malcolm Bradbury, the article identifies how early warning signs of British antipathy to European integration were clearly evident in post-war literature. By reading Brexit backwards, the article excavates the historical roots of Euroscepticism implanted in the cultural imaginary.

The post-war years were a period of introspection for British society as the nation endeavoured to remain fiercely insular yet became increasingly troubled by geopolitical relations reshaping the war-torn continent. Britain swiftly assumed the role of the reluctant European; their opposition to integration hindered by a destructive nostalgia for the past, the perceived erosion of cultural heritage and a sense of English exceptionalism. Beginning with a brief contextual analysis of the events leading to the 2016 EU Referendum, this article will argue that early warning signs of British antipathy were evident in literary responses to integration from the creation of the European Coal and Steel Community (ECSC) to the signing of the Maastricht Treaty which established the European Union. Through a close reading of selected fictions by key figures in this period, including Kingsley Amis, Angus Wilson, Nancy Mitford and Malcolm Bradbury, the article identifies how early warning signs of British antipathy to European integration were clearly evident in post-war literature. By reading Brexit backwards, the article excavates the historical roots of Euroscepticism implanted in the cultural imaginary.