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One / The Critique of Relativism in the Prolegomena to the Logical Investigations -- 1. The Prolegomena Critique -- 2. Relativism Reconsidered -- Two / The Critique of Historicism and Weltanschauung Philosophy in "Philosophy as Rigorous Science" -- 1. The Critique of Historicism -- 2. The Defense of Philosophy as a Science -- Three / The Phenomenological Elucidation of Truth: Between Skepticism and Relativism -- 1. Cartesian Objectivism and the Epistemic Critique -- 2. Truth and Evidenz in the Prolegomena -- 3. Truth and Evidenz in the Sixth Investigation -- 4. Truth and Evidenz in Ideas I -- 5. Summary and Provisional Conclusions -- Four / Phenomenology and the Absolute -- 1. Transcendental Phenomenology and the Path to Absolute Evidenz -- 2. Adequacy and Apodicticity -- 3. Intersubjectivity: A First Approach -- Five / Relativism and the Lifeworld -- 1. Historical Introduction: The 'Turn' to the Lifeworld -- 2. The Plurality and Relativity of the Lifeworld -- 3. The Lifeworld and Truth -- 4. The Priority of the Lifeworld -- 5. The Phenomenological Overcoming of Relativism -- Conclusion.

Globally populist movements are on the rise, which is why it is essential to examine this phenomenon more closely. In France, 50 years ago, Jean-Marie Le Pen founded a populist party, le Front National (now renamed Rassemblement National or RN). However, it was not until his daughter Marine Le Pen took over the Party in 2012 that it began to see significant electoral gains. This is despite the fact that the underlying political message remained the same. By changing her rhetorical tactics and relying on references to collective memories and the unconscious associations they evoke, Marine Le Pen mainstreamed the RN and found more national support. This article examines the rhetorical tactics she deploys and how collective memories can effectively convey political messages.

Globally populist movements are on the rise, which is why it is essential to examine this phenomenon more closely. In France, 50 years ago, Jean-Marie Le Pen founded a populist party, le Front National (now renamed Rassemblement National or RN). However, it was not until his daughter Marine Le Pen took over the Party in 2012 that it began to see significant electoral gains. This is despite the fact that the underlying political message remained the same. By changing her rhetorical tactics and relying on references to collective memories and the unconscious associations they evoke, Marine Le Pen mainstreamed the RN and found more national support. This article examines the rhetorical tactics she deploys and how collective memories can effectively convey political messages.

In this short essay, I argue that the ephemeral nature of emerging instant-messaging applications, such as Snapchat, applies an oral paradigm. While online discourse of computer-mediated communication shares many qualities with oral communication, the case of ephemeral applications is unique, as the oral features are already integrated in the application technology design and as orality is often implemented on highly visual products. Snapchat applies technology that fades visual contents as if they were spoken words fading in the air after utterance. Moreover, Snapchat's promise to delete all messages from its database after they are viewed echoes a key characteristic of primary oral culture: that is, the inability (and in our case, the obligation not) to store knowledge. In this, Snapchat demonstrates counter-logic to the contemporary grammar of new media, which is based on information aggregation.

Interpersonal digital discourse (CMC and SMS), currently performed by wide circles of users, is characterized by deliberate misspelling and exhibits a strong influence of orality on the written text. This article examines the social legitimation of such non-standard oral discourse and its socio-discursive implications. I argue that this digital orality has strong links to postmodern and post-structural ideas. Oral-written text ostensibly reflects a melting of linguistic structures, resembling the changes that occurred in social structures in the late modern era. However, I demonstrate, using De Saussure's basic structural perceptions in analyzing how this oral-written text is formed, that this deliberate misuse of language is quite structural and systematic in nature. What seems to be an anarchistic use of language or a rebellion against modernist rigid linguistic structures is highly performative in essence.