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Konstantin Pollok offers the first book-length analysis of Kant's theory of normativity that covers foundational issues in theoretical and practical philosophy as well as aesthetics. Interpreting Kant's 'critical turn' as a normative turn, he argues that Kant's theory of normativity is both original and radical: it departs from the perfectionist ideal of early modern rationalism, and arrives at an unprecedented framework of synthetic a priori principles that determine the validity of our judgments. Pollok examines the hylomorphism in Kant's theory of normativity and relates Kant's idea of our reason's self-legislation to the 'natural right' tradition, revealing Kant's debt to his predecessors as well as his relevance to contemporary debates on normativity. This book will appeal to academic researchers and advanced students of Kant, early modern philosophy and intellectual history

In den Kant-Forschungen werden sowohl historisch als auch systematisch orientierte Arbeiten zur Philosophie Immanuel Kants veröffentlicht. Die Bände stellen Funde unbekannter oder verschollen geglaubter Kantischer Autographen und Vorlesungsskripte vor und erörtern Editionsprobleme der Kantischen Vorlesungen und Werke. Sie enthalten darüber hinaus Studien zu Kants Umfeld und zur Kant-Rezeption im 18. Jahrhundert sowie systematisch angelegte Arbeiten zu Architektonik und System der Philosophie Kants.

This book gives an account of the relationship between rational requirements and overriding reasons for action. The author argues that whereas the former are governed by a standard of intra-personal coherence of attitudes, the latter ask for some sort of moral reasoning in order to meet the standard of inter-personal coherence of attitudes. In the former case, we essentially give reasons for action to ourselves (begründen), in the latter, a justification is owed to others (rechtfertigen). In contrast to non-detachable practical inferences involved in instrumental reasoning, some principle equi

"For philosophers of German idealism and early German Romanticism, the imagination is central to issues ranging from hermeneutics to transcendental logic and from ethics to aesthetics. This volume of new essays brings together, for the first time, comprehensive and critical reflections on the significances of the imagination during this period, with essays on Kant and the imagination, the imagination in post-Kantian German idealism, and the imagination in early German romanticism. The"--