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"Duane Champagne, PhD (Professor of Sociology, UCLA) has complied, and elaborated upon years of scholarly and editorial work to be able to offer readers accessible and thought-provoking discussion on issues pertaining to Indigenous peoples. This book brings the complexities of Indigenous concerns out of the shadows that so unnecessarily define the margins of society in order to educate readers and, as such, spur on critically informed debate aimed at bettering the position of Indigenous--and by extension, as we are all inhabitants of Turtle Island--non-Indigenous, peoples within modern nation states."--

Offering queer analyses of paintings by Caravaggio and Puccini and films by Özpetek, Amelio, and Grimaldi, Champagne argues that Italian masculinity has often been articulated through melodrama. Wide in scope and multidisciplinary in approach, this much-needed study shows the vital role of affect for both Italian history and masculinity studies.

Offering queer analyses of paintings by Caravaggio and Puccini and films by Ozpetek, Amelio, and Grimaldi, Champagne argues that Italian masculinity has often been articulated through melodrama. Wide in scope and multidisciplinary in approach, this much-needed study shows the vital role of affect for both Italian history and masculinity studies.

"Aesthetic Modernism and Masculinity in Fascist Italy is an interdisciplinary historical re-reading of a series of representative texts that complicate our current understanding of the portrayal of masculinity in the Italian fascist era. Examining paintings, films, music and literature in light of some of the ideological and material contradictions that animated the regime, it argues that fascist masculinity was itself highly contradictory. It brings to the fore works that have tended to be under-studied, and argues that, while fascist inclusive strategies of patronage worked to bind artists to the regime, an official policy of non-interference may inadvertently have opened up a space whereby the arts expressed a more complicated and contestatory view of masculinity than the one proffered by kitsch photos of a bare-chested Mussolini skiing. Champagne seeks to evaluate how the aesthetic analysis of the artifacts explored offer a more sophisticated and nuanced understanding of what world politics is, what is at stake when something like 'masculinity' is rendered as being an element of world politics, and how such an understanding differs from more orthodox 'cultural' analyses common to international relations.Providing a significant contribution to understandings of representations of masculinities in modernist art, this work will be of great interest to students and scholars of gender studies, queer studies, political science, Italian studies and art history. "--

Aesthetic Modernism and Masculinity in Fascist Italy is an interdisciplinary historical re-reading of a series of representative texts that complicate our current understanding of the portrayal of masculinity in the Italian fascist era. Examining paintings, films, music and literature in light of some of the ideological and material contradictions that animated the regime, it argues that fascist masculinity was itself highly contradictory. It brings to the fore works that have tended to be under-studied, and argues that, while fascist inclusive strategies of patronage worked to bind artists to.

For the more than fifty years that Democrats controlled the U.S. House of Representatives, leadership was divided between Massachusetts and Texas. The Austin-Boston Connection analyzes the importance of the friendships (especially mentor-protégé relationships) and enmi­ties within congressional delegations, regional affinities, and the lynchpin practice of appointing the Democratic Whip.

For the more than fifty years that Democrats controlled the U.S. House of Representatives, leadership was divided between Massachusetts and Texas. The Austin-Boston Connection analyzes the importance of the friendships (especially mentor-project relationships) and enmi­ties within congressional delegations, regional affinities, and the lynchpin practice of appointing the Democratic Whip.