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Ariani: origine e storia di un mito che ha insanguinato il Novecento
In: La zona rossa
FX options and smile risk
In: Wiley finance series
Maximizing Value Through Arbitral Power within the International Tax Dispute System
In: In: World tax journal. - Amsterdam. - Vol. 15 (2023), no. 2 ; p. 235-253
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Risk Sharing Insurance Schemes for Invoice Discounting Platforms
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On the European Commission's Understanding of the Arm's Length Principle in International Taxation Versus State Aid Matters : Treaty Violations and High Stakes in Play
In: In: World tax journal. - Amsterdam. - Vol. 13 (2021), no. 3 ; p. 481-497
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The Bifurcation Games. How Arbitrators Buy Their Lottery Ticket
In: Arbitration: The International Journal of Arbitration, Mediation and Dispute Management 2021, 87(3)
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On the European Commission's Understanding of the Arm's Length Principle in International Taxation versus State Aid Matters
In: World Tax Journal 2021, 13(3)
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L'amica geniale in Inghilterra: il caso dell'adattamento radio di Timberlake Wertenbaker
This paper takes into consideration Timberlake Wertenbaker's adaptation of Ferrante's My Brilliant Friend (2016) for the radio. In particular, the focus of the paper is on the first of the four radioplays and on the dramatic strategies used and adaptation choices made by Wertenbaker. We shall focus on the use of two main adult voices (Lena and Lila), the use of the voice over, and the representation of time. The chapter also considers the image of "neapolitanity" offered in the radioplay, the reception with the British audience with respect to the meridionist idea of Southern Italy as poor and violent. I aim to show how, with some exceptions, Wertenbaker somehow manages to push beyond the common representation of the South of Italy and its women, leaving room to the core of the story, the complex friendship of the two young protagonists and their relationships to their families, and the territory, in a social and political context which they try to understand as they grow up (especially Lila).
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