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"This book, based on extensive original research, examines young Muslim women's groups in Indonesia to show how a new type of young Muslim woman is emerging: pious and loyal to traditional Muslim ideas, whilst at the same time entrepreneurial, comfortable with the world of neoliberal capitalism, living modern, middle class urban lives and above all assertive and forward-looking. The book analyses the different facets of this new approach to Islam, shows how the young Muslim women's groups influence Indonesian society, politics and the economy overall, and highlights that it is young Muslim women's ideas about improving themselves that is key in bringing about the new approach"--

"This book, based on extensive original research, examines young Muslim women's groups in Indonesia to show how a new type of young Muslim woman is emerging: pious and loyal to traditional Muslim ideas, whilst at the same time entrepreneurial, comfortable with the world of neoliberal capitalism, living modern, middle class urban lives and above all assertive and forward-looking. The book analyses the different facets of this new approach to Islam, shows how the young Muslim women's groups influence Indonesian society, politics and the economy overall, and highlights that it is young Muslim women's ideas about improving themselves that is key in bringing about the new approach"--

Abstract
This article reconsiders contemporary digital activism in an increasingly pious Indonesia and responds to Eva F. Nisa's 2018 paper on young Muslim women as daʾwa (proselytization) activists published in this journal. This paper asks: How have today's socially mediated publics in Indonesia influenced the figure of the daʾwa activist? How are these daʾwa activists different from those in the past? I argue that the daʾwa activists are the products of a Muslimah intimate public, part of a networked public within which young women discuss, engage with, and express how they 'feel' about issues that interest them, and celebrate self-improvement and self-enterprise, combined with religious self-cultivation. Within this public daʾwa activists have two key characteristics. First, market logics and commercial interests are fundamental to their daʾwa. Second, the daʾwa accounts frame controversial and political issues through specific visual ethics that engender a sense of intimacy with their followers.

The article discusses the indiscernibility of social-media-based young Muslim women's groups' (YMWGs) transformative roles in socio-political analysis, standing in contrast to the groups' visibility in Indonesian young women's everyday lives. How does the (in)visibility of the YMWGs reconfigure the (political) subjectivity of Muslim womanhood? How should we understand the influence of this form of 'women's movement' in the re-invention of Muslim identity? This article proposes the notion of 'social media religious influencer' to understand the groups' conflation of religious, political and commercial elements in their online and offline representations and their encouragement to their followers to do self-transformation. The article demonstrates how, although such creative conflation challenges prevailing ideas about young Muslim women, it requires the young women to remain and take part in the prevailing gender regime by maintaining female conformity.

This article looks into celebrity politicians' social media campaigns during Indonesia's 2019 elections. It examines the visual political communication strategies of celebrity politicians, particularly how they use their fame and celebrity status to make claims as political candidates and how they transform their fame into political legitimacy through social media. In the process of establishing their political legitimacy, celebrity politicians deploy "affective power." While conventional politicians may use similar strategies on social media, the celebrity politicians' online performance styles are foundational in how the celebrities construct and maintain their often-precarious political legitimacy to the public. Three patterns emerged. First, celebrity politicians used images of them surrounded by people to indicate their celebrity status and political legitimacy. Second, they highlighted their work ethic and commitment to the public cause. Third, they used visual markers of allegiance to the presidential candidates to claim their political legitimacy. This article contributes to the study of celebrity politicians by extending our understanding of the performance and construction of political legitimacy by celebrity politicians on social media.

The field of critical digital literacy studies has burgeoned in recent years as a result of the increased cultural consumption of digital media as well as the turn to the production of digital media forms. This article extends extant digital literacy studies by focusing on its subfield of digital citizenship. Proposing that digital citizenship is not another dimension or axis of citizenship, but a practice through which civic activities in the various dimensions of citizenship are conducted, this article critically considers how the concept of digital citizenship can furnish further insight into the quality of online civic participation that results in claims to and acts of citizenship. Through interdisciplinary scholarship, drawing from critical media and cultural theory, and media psychology, and deriving new empirical data from qualitative digital ethnography and quantitative focus group and survey studies, it presents original case studies with young people in Southeast Asia, including young Muslim women's groups in Indonesia and youth public opinion on LGBTs in Singapore. It argues that Southeast Asian youth digital citizenship foregrounds civic participation as emergent acts that not only serve to make society a better place, but also enacts alternative publics that characterise new modes of civic-making in more conservative, collectivistic Southeast Asian societies.

This article examines reflexive practice among young creative workers in Yogyakarta, Indonesia, during COVID-19. Since March 2020, the COVID-19 pandemic has unleashed a series of relentless and overlapping crises across the Indonesian archipelago. In urban centres across Indonesia, the arts and creative sectors are among the key economic sectors severely afflicted by the pandemic. COVID-19 implies a lot more than the loss of income and livelihoods. Mobility restrictions, gig cancellations, venue closures, all entail the loss of connections, opportunities, and creative outlets. Yet despite such uncertain conditions, young creative workers remain reflexively creative in order to survive in everyday life. Building upon interviews and focus-group discussions with young creative workers in Yogyakarta, we found three modes of temporality-based reflexive practice: waiting, doing something and re-learning, which represent young creative workers' active responses manifested in the practical and contradictory relationship to the diverse possibilities within hierarchical and heterogenous cultural fields in a pandemic era characterised by regular ruptures. The analysis of the data below contributes to the literature on reflexivity and habitus among young creative workers in a time of pandemic.