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The article formulates and analyses a hypothesis, according to which, thanks to modern postmodern art, a single international visual language was formed in the late 20th – early 21st centuries, and previously mysterious and incomprehensible foundations of national culture became accessible and open at the international level. This concept is considered on the basis of the international popularization of Chinese art, as the Chinese national culture and art remained mysterious for Western audiences for many centuries. The mechanisms of popularizing national culture are disclosed in the article based on an analysis of three works created by famous contemporary Chinese artists – Odyssey by Cai Guoqiang, Coloured Vases by Ai Weiwei and Last Supper by Zeng Fanzhi

The article discusses the main features of the urban architecture of Krasnoyarsk, the specifics of public transport and the availability of urban space for residents, the problems of public safety in the city; features of parks and public recreation areas; the peculiarity of urban management and the involvement of citizens in the processes of city management. The study is based on modern approaches to the consideration of the urban environment as a result of the interaction of residents and city government. The article is based on a wide range of sources: modern studies of the urban environment in Russia and abroad, official sites of the administration and city services, statistics, modern studies of the urban environment of Krasnoyarsk conducted by scientists of the Siberian Federal University. The results of the study reveal the transitional state of the urban environment of Krasnoyarsk, its rich potential and indicate the main problems and prospects for further development