Mythological, Religious, and Philosophical Topoi in the Prose of Valerii Shevchuk

In: Slavic review: interdisciplinary quarterly of Russian, Eurasian and East European studies, Volume 50, Issue 4, p. 905-913

Abstract

Liberalized cultural discussion in the Soviet Union after the Twenty-seventh Party Congress in 1985 was concerned in part with the nature of a literature that would be appropriate to the new ideals of openness and restructuring. In Ukraine, as elsewhere, the debate brought forth a list of imperatives that, without challenging the socialist realist principle that literature must serve overarching social and political goals, amounted to a formula for a new kind of literary engagement. Literature must "boldly intrude into contemporary reality," it must defend the historical, cultural, linguistic, and ecological heritage and must unmask the crimes and abuses of the past and present. It must no longer be bland and inoffensive and must not avoid controversial issues or praise the status quo as a matter of course.