Suchergebnisse

This paper deals with civil society mobilizations and resistance in relation to a world heritage site—the ninth-century Khmer temple Preah Vihear, which is located in the northern province of Cambodia and borders eastern Thailand. In particular, the paper explores resistance in terms of (re)categorizations from a historical and discursive–materialistic perspective. The field of resistance studies has mainly been preoccupied with entities such as texts, signs, symbols, identity, and language. In this article, however, we bring in physical and material entities in order to display the ways in which matter is of importance in the (re)construction of discourses and thereby for resistance.

Departing from James Scott's idea that oppression and resistance are in constant change, Resisting Gendered Norms provides us with a compelling account on the nexus between gender, resistance and gender-based violence in Cambodia. To illustrate how resistance is often carried out in the tension between, on the one hand, universal/globalised representations and, on the other, local 'truths' and identity constructions, in-depth interviews with civil society representatives, politicians as well as stakeholders within the legal/juridical system were conducted.

AbstractThis article aims to specifically contribute to debates concerning dissent within the scholarship of International Relations (IR), through elaborating the constructive qualities of resistance. Composite and fruitful stories concerning resistance against power have flourished in studies of the 'global'. Still, there has been a trend in IR to embrace resistance as a sense of opposition and it has been primarily described in terms of, '"counter", "contradict", "social change", "reject", "challenge", 'opposition", "subversive", and "damage and/or disrupt"'.1 This article adds to the literature on resistance's productive dimensions by drawing upon the case of the #MeToo campaign in Japan. The #MeToo movement in Japan should not only be viewed as a 'non-cooperative' form of resistance – that is, resistance that breaks norms, rules, laws, regulations and order, typically in public and in confrontative ways; rather, the #MeToo movement should be regarded as a 'constructive' form of resistance, which produced new resistance figures, movements, narratives as well as established new expressions of resistance. It may be perceived as a contagious form of resistance, which operated through reiterations, doublings, and re-experiences. The campaign provides a significant example of how discourses move transnationally through the force of repetition.

This article adds to previous research, by connecting the concept of resistance to practices of self-making and the embodying of various gendered images. In this article, I advance that women politicians, activists and NGO workers in Cambodia, who seem to repeat and maintain established gender discourses, actually use these discourses and the existence of a multilayered figuration as a 'hiding place'. This can be understood as various gendered discourses and figurations being utilised as resistance. In order to further explore this pattern, the article introduces the concepts of hide-and-show resistance and layer-cake figurations. The notion of figurations, as situated and culturally differentiated, becomes an important starting point, displaying resistance that originates from the way we are constituted in a local–transnational, material and fast-changing world.

The article analyses programmes against gender-based violence (GBV) in Cambodia in order to understand what notions of power, agency and resistance reside within these programmes. The text relies on in-depth interviews with four different organisations in Cambodia. The interviews display a number of hands-on practices of resistance against GBV, which require a broad discussion of identity in order to be fully understood. In particular, the organisations emphasize the importance of approaching men—in men's groups, as trainers and role models—in the resistance against GBV. In their approach to Cambodian men, the trainers mixed representations of a more 'particular' character with representations of a more 'universal' appearance. Both in the establishment of new subject positions and new discourses, the Cambodian trainers leaned upon and alternated between universal and particular notions. In addition, men's 'particular' subject positions became the very lens through which they considered 'universal' notions of violent masculinities. New aspects of the resistance against GBV thus become visible as the concepts of universalism and particularism are put in use. It is in the nexus between 'universal' and 'particular' representations that a non-violent masculinity is fostered.