Introduction: the Colombian condition -- Narco-stories globalized: Pablo Escobar and excess consumption -- The Ingrid Betancourt story: memory in the times of mass media -- The travelogue boom: dark exoticism for global consumption -- Affective visuality: the cinema of conflict and reconciliation -- Epilogue: post-conflict Colombia?
Through an exploration of the cultural processes that perpetuate the "darker side" of Latin America for global consumption, this book investigates the condition that has led writers, filmmakers, and artists to embrace (purposefully or not) the incessant violence in Colombian society as the object of their own creative endeavors
Territories of Conflict offers a comprehensive view of the cultural and political landscapes of Colombia through in-depth analyses of citizenship, displacement, local and global cultures, grass-root movements, political activism, human rights, environmentalism, and media production. This volume investigates conflict as a creative force that is not fully devoid of its destructive meaning in Colombia. It is precisely through conflict that this nation's social and cultural fabric are being mapped out, thus resulting in territories -- understood in both a literal and a metaphorical sense -- that paradoxically exist in discordance. Contributors to this interdisciplinary volume include historians, sociologists, political scientists, musicologists, and environmentalists, as well as literary, media, and cultural studies specialists from the U.S., Colombia, and Europe
Territories of Conflict offers a comprehensive view of the cultural and political landscapes of Colombia through in-depth analyses of citizenship, displacement, local and global cultures, grassroots movements, political activism, human rights, environmentalism, and media production. The volume investigates conflict as a creative force but one that is not devoid of its destructive meaning for Colombia. It is precisely through conflict that the nation's social and cultural fabric is being mapped out, thus resulting in territories -- understood in both a literal and a metaphorical sense -- that paradoxically coexist in discordance. Contributors to this interdisciplinary volume include historians, sociologists, political scientists, musicologists, and environmentalists, as well as literary, media, and cultural studies specialists from the United States, Colombia, and Europe. CONTRIBUTORS: Maurizio Alì, Ingrid Johanna Bolívar Ramírez, Margarita Cuéllar Barona, Andrea Fanta Castro, Héctor Fernández L'Hoeste, Joaquín Llorca Franco, David Fernando García, Felipe Gómez Gutiérrez, Álvaro Diego Herrera Arango, Alejandro Herrero-Olaizola, Stacey Hunt, Camilo Alberto Jiménez Alfonso, Gregory J. Lobo, Tatjana Louis, Felipe Martínez-Pinzón, María Ospina, Kate Paarlberg-Kvam, Diana Pardo Pedraza, Aldona Bialowas Pobutsky, Chloe Rutter-Jensen, Claudia Salamanca Sánchez, Sven Schuster, Silvia Serrano, Andrea Fanta Castro is Assistant Professor of Spanish at Florida International University; Alejandro Herrero-OIaizola is the Arthur F. Thurnau Professor of Spanish & Latin American Studies at the University of Michigan; and Chloe Rutter-Jensen is Associate Professor of Cultural Studies at the Universidad de los Andes, Bogotá, Colombia
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