Suchergebnisse

AbstractThis paper is an exploration of cinematic memory as a resource for remembering large-scale Keralan migration to the Gulf since the late 1960s. The south Indian state of Kerala, which predominantly speaks Malayalam, is a major contributor to the migrant labour force in the Gulf region for the last five decades. However, until recently, the migrant figured in the public discourse of Kerala as an economic agent alone. There has been increasing instances of memorialising the Gulf in the Malayalam public sphere since the beginning of the 2000s which brings to light the subjective aspects of the Gulf migration. However, what is lost in these accounts is the simultaneity and interlinked nature of the two places. Cinema, on the other hand, offers resources to inscribe the mutuality of the two places in the collective memory of Kerala. Invoking Pierre Nora's concept of places of memory, the paper looks at cinematic renditions of 'Dubai' as one such site of memory in the present when the image of Dubai and the profile of Keralan migrant has undergone a shift. Taking the example of one Malayalam film, Pathemari (Salim Ahamed, 2015), and tracing its cinematic genealogy, this paper analyses the ways in which 'Dubai' is remembered and how this remembrance inscribes the Gulf as part of the collective memory of Kerala. The paper identifies the persistence of filmed space, intertextuality, and the archivality of the star body as the modes in which cinematic memory achieves this collective memorialisation. The mutuality between Kerala and Dubai, offered by cinematic memory, allows it to be an act of affective citizenship on the part of the migrants, i.e. embodied and sensorial acts of claiming the universal right to have rights.

Sites of Conscience charts the importance of public engagement with histories, memories, and lived experiences of institutions in forging new directions in social justice with and for disabled people and people experiencing mental distress, in a context where deinstitutionalization has failed to fully recognise, redress, and repair the ongoing impacts of institutions

Abstract: In Landscapes of Memory: Heritage Place and Historic Sites in Prairie Canada I explore concepts of heritage, place, and memory in the prairie west, examining how heritage value is established, how commemoration reflects social and cultural perspectives and how and why interpretation can change over time. I illustrate the process by which the social construction of heritage value can be part of an "authorized" identity that conforms to acceptable, authoritative, and official perceptions of historical significance. My major argument is that "official" historic sites in prairie Canada – and most importantly their interpretation – are examples of authorized spaces that relate to national and nation-building goals. They are frequently examples of an imagined past, or a heritage defined by modern perceptions often with landscapes that become fashioned as aestheticized space or pleasing landscapes that have become idealized to fit with visitor expectations. I also argue that local political and cultural forces have come to influence the way historic place is understood. I suggest that it is the tension between federal goals and the aims of the local that have resulted in changing and evolving interpretations. This study looks at how our view of the past constructs the heritage of place and community that relate the past to the present. I focus upon how the significance of place is often contested and how, for instance, Indigenous perceptions often challenge conventional views of the past. I discuss the process of commemoration of some critical twentieth century themes in prairie history while referencing examples of recognized heritage places in Western Canada, including cultural topographies, Indigenous landscapes, community-recognized built heritage, and national historic sites in Manitoba and Saskatchewan. More broadly, I look at questions such as who decides what is heritage, who claims authority and why, and how are perceptions of place memory effectively reproduced. ; February 2019

In disrupting the singularity of official histories and memorials, some scholars, activists, and members of marginalized populations have approached memory as a concept that accommodates a multiplicity of subjugated experiences, knowledges, and narratives of place and event, and thus gives rise to a set of memory practices that serve as useful tools for anti-oppression and social justice activism. For these reasons, this memory work has a clear spatial dimension and focuses on place. One such movement in this vein, referred to as "Sites of Conscience," forms the focus of this special issue. This editorial introduction to this special issue of Space and Culture takes Sites of Conscience as a prism through which to consider relations between history, memory, politics, temporality, ethics, and justice within a spatial framework. Given the increasing pressures to simplify and "purify" national narratives and to pathologize multiple forms of difference, we urgently need activist scholarship on the salient relations between place, history, memory, memorialization, and social justice.

ABSTRACTIn Germany, the Revolutions of 1848 and 1918/19 resulted in the martyrdom of opposition leaders and constituents, whose burial sites in Berlin became key sites of memory and commemoration for the working-class movement. Political turbulence and regime change throughout the twentieth century has resulted in contestation over the meaning and use of these places; a trajectory illustrating the dynamic, reciprocal relationship between popular memory and official history, and the interplay between representation, place-based associations and spatial relations in constituting social meaning in the urban landscape.

Landscapes of Devils: Tensions of Place and Memory in the Argentinean Chaco. Gastón R. Gordillo. Durham, NC: Duke University Press, 2005. 304 pp.

"Places of worship are the true building blocks of communities where people of various genders, age, and class interact with each other on a regular basis. These places are also rallying points for immigrants, helping them make the transition to a new, and often hostile environment. The Many Rooms of this House is a story about the rise and decline of religion in Toronto over the past 160 years. Unlike other studies that concentrate on specific denominations, or ecclesiastical politics, Roberto Perin's ecumenical approach focuses on the physical places of worship and the local clergy and congregants that gather there. Perin's timely and nuanced analysis reveals how the growing wealth of the city stimulated congregations to compete with one another over the size, style, materials, and decoration of their places of worship. However, the rise of individualism has negatively affected these same congregations leading to multiple church closings, communal breakdown, and redevelopments. Perin's fascinating work is a lens to understanding how this once overwhelmingly Protestant city became a symbol of diversity."--

Irmela von der Lühe, BUDDENBROOKS AM SCHWARZEN MEER. VLADIMIR JABOTINSKYS ODESSA-ROMAN DIE FÜNF. "PORÓWNANIA" 1 (24), 2019. T. XXIV, S. 123-133. ISSN 1733-165X. Vladimir Jabotinskys Roman Die Fünf ist bei seinem Erscheinen in Deutschland (2012) als eine literarische Entdeckung gefeiert worden. In der Familiengeschichte der Milgroms aus dem Odessa der Jahre vor der Revolution von 1905 spiegeln sich Hoffnungen und Enttäuschungen der Revolution und der jüdischen Assimiliation, des Aufbruchs in eine neue Welt der Moderne und des Absturzes in eine Welt der brutalen Antimoderne. Der Beitrag untersucht die besonderen literarischen Strategien einer Arbeit an der Erinnerung: des Erzählens von Straßen, Plätzen und Räumen, der Analogisierung des politischen Geschehens mit einem Bühnengeschehen, der symbolistischen Überhöhung der Realität durch Rückgriff auf literarische Texte. Nichtnur aus politischen, auch aus erzählerischen Gründen wird Odessa in Jabotinkskys Roman also zu einem umstrittenen Erinnerungsort. ; Irmela von der Lühe, BUDDENBROOKS AT THE BLACK SEA. VLADIMIR JABOTINSKYS ODESSA-NOVEL THE FIVE. "PORÓWNANIA" 1 (24), 2019. Vol. XXIV, P. 123-133. ISSN 1733-165X. When Jabotinksys novel first appeared in Germany (2012) it was celebrated as a spectacular literary event. Jobtinsky's Jewish family novel is situated in the decades before the revolution of 1905; it deals with revolutionary hope and disappointment, with Jewish assimiliation and the idea of a new liberal and tolerant world. It ends with a complete decline of these visions into brutal antimodernism. This article describes special narrative strategies in producing spaces of memory as streets, places and special public locations. Thereby political events appear as analogies to theater plays and also in a symbolistic framework. By this Jabotinskys novel has become a controversial space of memory not only for political but also literary reasons.

Four locations frame The New Berlin: the Topography of Terror, the Memorial to the Murdered Jews of Europe, the Jewish Museum, and Sachsenhausen Concentration Camp Memorial and Museum. Through field notes, interviews, archival texts, personal narratives, public art, maps, images, and other sources, Karen Till describes how these places and spaces exemplify the contradictions and tensions of social memory and national identity

Like "nature," "culture," and its glamorous sibling "global," "local" is one of those deeply compromised words our language will not relinquish. So central to so many anthropological projects it is unlikely to be transcended, instead it continues to be both fought over and reinvigorated. In this essay, I imagine the topography of what we might call a methodology of locality. In trying to understand how we can do our thinking about the local, I begin with a disarmingly transparent question: How, in all its specificity, does this place that holds our attention come into being? Pursuing this puzzle provokes ripples of association that shape interpretation like contour lines on a map, destabilize naturalized binaries, and shadow the unruly series of concentric circles through which a place is tied into multiple worlds.