Suchergebnisse

Cover -- Frontmatter -- Contents -- List of tables -- Preface -- Critical perspectives -- The Missa solemnis as religious experience -- The Missa solemnis and music history -- The Missa solemnis in the history of sacred music -- Analytical studies -- Source studies -- Composition, performance and publication history -- Background -- The composition of the Mass -- The marketing of the Mass: publication, performance -- Preliminaries to the analysis -- Beethoven and the Austrian mass tradition -- Analytical method -- Textual problems -- The Mass in D as a 'missa solemnis' -- Kyrie -- The first 'Kyrie' (bars 1-85) -- 'Christe'(bars 86-128) -- The second 'Kyrie' (bars 129-223) -- Gloria -- Gloria in excelsis Deo -- Qui tollis -- Quoniam -- The closing fugue -- Credo -- The first section (bars 1-123) -- The central section (bars 125-87) -- The third section and closing fugue (bars 188-472) -- Sanctus -- Early sketches for the movement -- Sanctus-Pleni-Osanna -- Praeludium and Benedictus -- The second 'Osanna' -- Agnus Dei -- The 'Agnus' -- The beginning of the 'Dona' -- The 'War' interruptions and their consequences -- The Coda -- Concluding thoughts -- Connections between the movements -- Orchestration -- The Missa solemnis as programmatic music -- Notes -- Bibliography -- Index.