Marxism and art
In: Economy and society, Band 11, Heft 1, S. 69-78
ISSN: 1469-5766
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In: Economy and society, Band 11, Heft 1, S. 69-78
ISSN: 1469-5766
In: Telos: critical theory of the contemporary, Band 1977, Heft 34, S. 157-166
ISSN: 1940-459X
In: Telos: critical theory of the contemporary, Band 1976, Heft 27, S. 218-229
ISSN: 1940-459X
In: Ars & Humanitas: revija za umetnost in humanistiko = Journal of arts and humanities, Band 5, Heft 2, S. 243-246
ISSN: 2350-4218
In: Political affairs: pa ; a Marxist monthly ; a publication of the Communist Party USA, Band 64, S. 2-40
ISSN: 0032-3128
Main papers and discussion from a conference sponsored by Political Affairs, Dec. 1984. Contents: How monopoly capital dominates culture, by Michael Parenti; For a people's culture, by Angela Davis; Culture under full socialism, by Henry Borovik.
In: Political affairs: pa ; a Marxist monthly ; a publication of the Communist Party USA, Band 81, Heft 8, S. 15-17
ISSN: 0032-3128
Czechoslovakia was subject to authoritarian rule of the Communist Party since 1948 and any research had to comply with Marxism-Leninism as the sole acceptable scientific method. Czech art history (as different form art criticism) lacked any experience with Marxism. Around and after 1950, there continued the quest for a method that would be both compatible with the scholarly tradition following the Vienna School and acceptable to the ideologues of the political regime. Jaromír Neumann found the best result in his invention of "formalist iconology" around 1960: a strange hybrid of Panofsky's post-war iconology and the late Dvořák's "spiritual art history" has served Czech art history well until today.
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In: Future Human Image, Band 18
ISSN: 2519-2604
In: Studies in comparative communism, Band 4, Heft 1, S. 37-41
ISSN: 0039-3592