Suchergebnisse

The purpose of the article is to analyze the Dnieper (Naddnipryanshchyna) political emigrants' influence on the Western Volyn region theatrical life: from the mobile theater troupes spread to the VUT creation, which facilitated their adaptation and promoted creative self-realization. The methodology of the research is based on the historical, cultural chronological methods, as well as the analysis and systematization methods, which made it possible to consider Volyn Ukrainian Theater mobile troupes appearance conditions, to trace their relations with the Polish authorities, the repertoire features and the importance of creativity for the national consciousness of the local Ukrainian population. The prosopography method was applied in order to find out the artists' names. The scientific novelty of the article is the introduction to the scientific circulation of the new archival documents, the interwar periodicals, which made it possible to show the Dnieper (Naddnipryanshchyna) political emigrants' influence on the interwar Volyn theatrical life development. The Conclusions. The Ukrainian political emigrants became fully involved in the cultural and artistic activities, realized their talents and skills in the theater and amateur work, after the revolution defeat of 1917 – 1921 in the territory of Volyn Voivodeship. In the first half of the 1920-ies, mobile theaters became a means of embodying the creative aspirations of the artists and the golden opportunity to earn a living. The commencement of the "Volyn experiment" by voivode H. Yuzevskyi, M. Pevnyi's and other artists, who came from Naddnipryanshchyna relocation to Lutsk caused the VUT establishment, which during the 1930-ies of the XXth century kept the national spirit, Ukrainian traditions, the way of life and culture. The establishment of Bolshevik power in the region in 1939 led to the total control over the cultural life of the region, including the theatrical arts.

The purpose of the article is to analyze the Dnieper (Naddnipryanshchyna) political emigrants' influence on the Western Volyn region theatrical life: from the mobile theater troupes spread to the VUT creation, which facilitated their adaptation and promoted creative self-realization. The methodology of the research is based on the historical, cultural chronological methods, as well as the analysis and systematization methods, which made it possible to consider Volyn Ukrainian Theater mobile troupes appearance conditions, to trace their relations with the Polish authorities, the repertoire features and the importance of creativity for the national consciousness of the local Ukrainian population. The prosopography method was applied in order to find out the artists' names. The scientific novelty of the article is the introduction to the scientific circulation of the new archival documents, the interwar periodicals, which made it possible to show the Dnieper (Naddnipryanshchyna) political emigrants' influence on the interwar Volyn theatrical life development. The Conclusions. The Ukrainian political emigrants became fully involved in the cultural and artistic activities, realized their talents and skills in the theater and amateur work, after the revolution defeat of 1917 – 1921 in the territory of Volyn Voivodeship. In the first half of the 1920-ies, mobile theaters became a means of embodying the creative aspirations of the artists and the golden opportunity to earn a living. The commencement of the "Volyn experiment" by voivode H. Yuzevskyi, M. Pevnyi's and other artists, who came from Naddnipryanshchyna relocation to Lutsk caused the VUT establishment, which during the 1930-ies of the XXth century kept the national spirit, Ukrainian traditions, the way of life and culture. The establishment of Bolshevik power in the region in 1939 led to the total control over the cultural life of the region, including the theatrical arts.

The purpose of the article is to analyze the Dnieper (Naddnipryanshchyna) political emigrants' influence on the Western Volyn region theatrical life: from the mobile theater troupes spread to the VUT creation, which facilitated their adaptation and promoted creative self-realization. The methodology of the research is based on the historical, cultural chronological methods, as well as the analysis and systematization methods, which made it possible to consider Volyn Ukrainian Theater mobile troupes appearance conditions, to trace their relations with the Polish authorities, the repertoire features and the importance of creativity for the national consciousness of the local Ukrainian population. The prosopography method was applied in order to find out the artists' names. The scientific novelty of the article is the introduction to the scientific circulation of the new archival documents, the interwar periodicals, which made it possible to show the Dnieper (Naddnipryanshchyna) political emigrants' influence on the interwar Volyn theatrical life development. The Conclusions. The Ukrainian political emigrants became fully involved in the cultural and artistic activities, realized their talents and skills in the theater and amateur work, after the revolution defeat of 1917 – 1921 in the territory of Volyn Voivodeship. In the first half of the 1920-ies, mobile theaters became a means of embodying the creative aspirations of the artists and the golden opportunity to earn a living. The commencement of the "Volyn experiment" by voivode H. Yuzevskyi, M. Pevnyi's and other artists, who came from Naddnipryanshchyna relocation to Lutsk caused the VUT establishment, which during the 1930-ies of the XXth century kept the national spirit, Ukrainian traditions, the way of life and culture. The establishment of Bolshevik power in the region in 1939 led to the total control over the cultural life of the region, including the theatrical arts.

The purpose of the research is to analyse the role and place of Ukrainian political emigrants, Naddnipryanska Ukraine (Dnieper Ukraine) natives, in the musical culture development on Volyn Voivodeship territory based on the archival sources and the interwar periodicals (1921 – 1939). The methodology of the research is based on the science, historicism, verification principles. In the course of study the historical science methods have been used such as search, identification and systematization of the historical material, obtained from the archival documents and the press sources and with the further criticism of the other methods have been applied the historical-comparative, the historical-typological, the historical-chronological, the historical-geographical and other research methods. The scientific novelty of the article is based on the introduction into the scientific circulation the Sectoral State Archives of the Foreign Intelligence Service of Ukraine deciphered archival documents, archival-criminal cases from the Sectoral State Archives of the Security Service of Ukraine, Rivne region State Archive, other archival materials, the interwar periodical, which helped to depict Naddnipryanskykh political emigrants influences on the musical culture development of the interwar Volyn, in some places to trace their fate. It is proved that, despite the everyday difficulties, the emigrants stood out from the rest in social and socio-cultural activities, their musical activity was not only a way of earning money, but also an opportunity for creative self-realization, which helped them in adaptation to the new conditions. Conclusions. The Ukrainian Revolution figures of the 1917 – 1921, who were forced to emigrate to Poland and settled down in Volyn Voivodeship, intensified the musical life in the region. They were the folk choirs founders, moreover, they organized tours, worked as church choirs conductors, founded artistic societies, joined the search campaign for the musical and ethnographic materials for the purpose of their artistic elaboration by amateur choirs and theaters, scientific publications. At this time, the following musicians developed their talent: Mykhailo Telezhinskyi, Oleksa Kolisnichenko, Sozont Kalmutskyi, Serhiy Kozytskyi, Anna Bilohub. The Polish authorities control was manifested in censoring the repertoire, interfering with the conductors and singers, trying to use the artistic sphere in order to spread the pro-government policy. The choral art development, the concerts and competitions organizations, the ethnographic song material collection, enriched the cultural life of the region.

The purpose of the research is to analyse the role and place of Ukrainian political emigrants, Naddnipryanska Ukraine (Dnieper Ukraine) natives, in the musical culture development on Volyn Voivodeship territory based on the archival sources and the interwar periodicals (1921 – 1939). The methodology of the research is based on the science, historicism, verification principles. In the course of study the historical science methods have been used such as search, identification and systematization of the historical material, obtained from the archival documents and the press sources and with the further criticism of the other methods have been applied the historical-comparative, the historical-typological, the historical-chronological, the historical-geographical and other research methods. The scientific novelty of the article is based on the introduction into the scientific circulation the Sectoral State Archives of the Foreign Intelligence Service of Ukraine deciphered archival documents, archival-criminal cases from the Sectoral State Archives of the Security Service of Ukraine, Rivne region State Archive, other archival materials, the interwar periodical, which helped to depict Naddnipryanskykh political emigrants influences on the musical culture development of the interwar Volyn, in some places to trace their fate. It is proved that, despite the everyday difficulties, the emigrants stood out from the rest in social and socio-cultural activities, their musical activity was not only a way of earning money, but also an opportunity for creative self-realization, which helped them in adaptation to the new conditions. Conclusions. The Ukrainian Revolution figures of the 1917 – 1921, who were forced to emigrate to Poland and settled down in Volyn Voivodeship, intensified the musical life in the region. They were the folk choirs founders, moreover, they organized tours, worked as church choirs conductors, founded artistic societies, joined the search campaign for the musical and ethnographic materials for the purpose of their artistic elaboration by amateur choirs and theaters, scientific publications. At this time, the following musicians developed their talent: Mykhailo Telezhinskyi, Oleksa Kolisnichenko, Sozont Kalmutskyi, Serhiy Kozytskyi, Anna Bilohub. The Polish authorities control was manifested in censoring the repertoire, interfering with the conductors and singers, trying to use the artistic sphere in order to spread the pro-government policy. The choral art development, the concerts and competitions organizations, the ethnographic song material collection, enriched the cultural life of the region.

The purpose of the research is to analyse the role and place of Ukrainian political emigrants, Naddnipryanska Ukraine (Dnieper Ukraine) natives, in the musical culture development on Volyn Voivodeship territory based on the archival sources and the interwar periodicals (1921 – 1939). The methodology of the research is based on the science, historicism, verification principles. In the course of study the historical science methods have been used such as search, identification and systematization of the historical material, obtained from the archival documents and the press sources and with the further criticism of the other methods have been applied the historical-comparative, the historical-typological, the historical-chronological, the historical-geographical and other research methods. The scientific novelty of the article is based on the introduction into the scientific circulation the Sectoral State Archives of the Foreign Intelligence Service of Ukraine deciphered archival documents, archival-criminal cases from the Sectoral State Archives of the Security Service of Ukraine, Rivne region State Archive, other archival materials, the interwar periodical, which helped to depict Naddnipryanskykh political emigrants influences on the musical culture development of the interwar Volyn, in some places to trace their fate. It is proved that, despite the everyday difficulties, the emigrants stood out from the rest in social and socio-cultural activities, their musical activity was not only a way of earning money, but also an opportunity for creative self-realization, which helped them in adaptation to the new conditions. Conclusions. The Ukrainian Revolution figures of the 1917 – 1921, who were forced to emigrate to Poland and settled down in Volyn Voivodeship, intensified the musical life in the region. They were the folk choirs founders, moreover, they organized tours, worked as church choirs conductors, founded artistic societies, joined the search campaign for the musical and ethnographic materials for the purpose of their artistic elaboration by amateur choirs and theaters, scientific publications. At this time, the following musicians developed their talent: Mykhailo Telezhinskyi, Oleksa Kolisnichenko, Sozont Kalmutskyi, Serhiy Kozytskyi, Anna Bilohub. The Polish authorities control was manifested in censoring the repertoire, interfering with the conductors and singers, trying to use the artistic sphere in order to spread the pro-government policy. The choral art development, the concerts and competitions organizations, the ethnographic song material collection, enriched the cultural life of the region.