'The Most Famous Outlaw in the Whole USA': Parody, Performance and the Nuancing of Jane Russell's Persona in Her Early Western Promotion
In: Comparative American studies: an international journal, Band 20, Heft 2, S. 148-160
ISSN: 1741-2676
6 Ergebnisse
Sortierung:
In: Comparative American studies: an international journal, Band 20, Heft 2, S. 148-160
ISSN: 1741-2676
In: Transformative Works and Cultures: TWC, Band 35
ISSN: 1941-2258
An exploration of the terrain of how to engage learners effectively and why that matters. Using fan engagement in the field of film history reveals that encouraging learners to self-identify as fans shifts the power balance, placing the learner in the position of expert, thereby increasing the chances of learner engagement and enabling learners to gain a more nuanced understanding of their field while also making for a more invested, lively, and varied learning and teaching experience. Based on firsthand experience designing and delivering a research-focused undergraduate film history module combined with a multidisciplinary pedagogical approach, this work demonstrates that treating students as fans with affective stakes in history and exploring historical moments experientially offers learners significant benefits.
In: Cultural sociology, Band 11, Heft 1, S. 138-139
ISSN: 1749-9763
In: Feminist media histories, Band 2, Heft 4, S. 116-142
ISSN: 2373-7492
Bunny Yeager was a pinup model and photographer who appeared on TV and in exploitation films, while creating pinups and "art" nudes for Playboy, coffee-table books, and how-to publications. She is currently experiencing a revival as part of a subcultural vogue for 1950s and 1960s Americana. In her images she was often both subject and photographer, and her self-reflexive pictures engage with issues of authorship, control, and the sexualized gaze. This text examines Yeager's portraiture, her instructive writing, her representation in the film Bunny Yeager's Nude Camera (1963), and the way she positioned herself when discussing her work, to demonstrate how she embodied a mode of professional and sexual agency that engaged with broader, progressive ideas pertaining to women's labor and identity circulating in 1960s America as part of feminism's second wave.
In: Celebrity studies, Band 7, Heft 1, S. 133-135
ISSN: 1939-2400
In: Celebrity studies, Band 12, Heft 3, S. 423-443
ISSN: 1939-2400