Suchergebnisse

While international tourism, in many ways, is a form of globalized neoliberal expansion subsumed in the dominant logic of capitalist accumulation, the Covid-19 pandemic has fundamentally disrupted the global chain of international tourism. This has led to important reflections on tourism's neoliberal practices, structural inequalities and negative impacts, and the need for transformative relationships with capitalism that foster just and equitable realities. The primary objective of this article is to investigate the national-level responses to tourism transformation. Using the new Malaysian National Tourism Policy 2020–2030 as a case analysis, this study investigates the transformative agenda of the policy to explore and understand the dynamics at play in calls for transformation and (re)creation of tourism strategies in developing economies through the lens of neoliberal globalization. Qualitative interpretive content analysis is used to scrutinize the plan and policy contents from the selected government documents. The findings demonstrate the leading role of the market principles in action strategies and the limits to sustainability and transformation of capitalist tourism economies.

By combining three different genres-academic writing, theatrical playwriting and performing-this article presents different ways of knowing and representing realities for tourism scholars. More specifically, drawing upon social scientists' influential work on performance texts and an ethnodramatic script written by the authors based on dramatized ethnographic and autoethnographic fieldwork, it portrays a tourism PhD journey in an Asian institution. As an attempt of representing the power structures underpinning academia (and tourism academia), namely postcolonial, gendered, global, regional, institutional, and socio-cultural forces, among others, the 8 scenes constituting the script (one of which is enacted and presented in a video) discuss how Asian PhD journeys are shaped by specific approaches to supervision, issues of authorship, gendered dynamics and postcolonial legacies. The main rationale behind this work lies in the recognition of the powerful/performative role of embodied texts and performances in producing, shaping and representing realities. More specifically, the ethnodrama presented in this paper and its embodied representation act as vehicles that are both political and entertaining in producing meanings.