Suchergebnisse

The objective of this article is threefold: To re-evaluate the concept of wilderness as a place to be experienced by human beings as part of their outdoor recreational needs; to investigate if reclaimed post-industrial urban quarries can fulfil these needs, and to investigate the legislative frameworks in South Africa within which such reclamation and re-use can be undertaken. The objective is not to present detailed case studies of post-industrial urban quarries that have been rehabilitated or redeveloped for a different land use, but rather to demonstrate the potential of such quarries. The majority of South Africa's population is urbanised and has hardly any prospect, due to various constraints, of ever visiting natural or even 'man-made wilderness' areas for recreational purposes. The currently held concept of wilderness is critically evaluated and the need to change our perception of wilderness is discussed. The biophysical and socio-economic nature, as well as the legal framework, within which the redevelopment potential of our ubiquitous post-industrial urban quarries must be viewed, are examined to determine whether they can be reclaimed as outdoor recreation places and a new 'urban wilderness'. It is shown, through a literature review and examining five case studies, that reclaimed quarries can satisfy urban dwellers' innate need for outdoor recreational spaces and natural or wilderness areas, albeit man-made and despite the procedural challenges posed by the requirements of the South African regulatory urban spatial planning frameworks and Acts.

At the dawn of democracy in 1994, the nation was seeking a new identity and for many South Africans it was to be an identity based on their African culture and tradition. Politicians were seeking ways to commemorate those who had lost their lives in conflicts leading up to the first democratic elections when the African National Congress (ANC) came into power. In attempting to achieve this, the Department of Arts and Culture initiated several legacy and heritage projects, including the Isivivane, a memorial place at Freedom Park in the City of Tshwane. This article determines the effectiveness of landscape design in communicating the intent and meaning of commemorative places in a multicultural postapartheid society. In this article, the Isivivane is presented as a case study and the research survey has been used to gauge the visitors' experience and perception of the Isivivane. Based on the results of a quantitative questionnaire, underpinned by theories rooted in phenomenological interpretation and landscape narrative, the article confirms that peoples' experience and perception of the Isivivane are influenced by its design and that its landscape features are significant in evoking a response that enabled visitors to identify with the place and assign individual and collective meaning to it. The argument is supported by current theories of commemoration and meaning derived through landscape design. The implications of the study are useful and can potentially open doors for further studies that delve deeper into an understanding of the contribution that landscape design makes in the conceptualisation of commemorative places in a pluralistic and politically charged South Africa.