Paranoid pleasure: surveillance, online pornography, and scopophilia
In: Porn studies, Band 6, Heft 1, S. 23-37
ISSN: 2326-8751
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In: Porn studies, Band 6, Heft 1, S. 23-37
ISSN: 2326-8751
In this series of photographs, I document, juxtapose, and recontextualize graffiti, signage, and written messages found in Toronto's downtown core through 2013 and 2014. I approach each image, each captured inscription, through the political and ethical demands of the trace and as communicative of other traces. Photographs in this series are meant to stand alone, but are also recontextualized through their associative connections to a larger and continuously expanding narrative that conveys marks of socio- economic inequality, difference, and privilege in times of austerity. In this sense, each photograph expresses an imminent ethical demand through the traces of unknown others. This series ultimately aims to identify existing conditions for potential collective struggle through aesthetics of the other's inscription as a political proposition. These images stage an affective and aesthetic encounter with the language of the other and the traces of that language, encouraging the viewer's engagement with possibility and difference beyond dominant ideological actualizations that unevenly distribute power and privilege in contemporary life.
BASE
Bank Street is the major north-south artery in Ottawa, Ontario, Canada's capital city. Named for its initial geographic proximity to the Ottawa River bank in the 19th century, the street now runs north from the city limits at Belmeade Road through various villages (Vernon, Spring Hill, Metcalfe, Greely, South Gloucester, Leitrum, and Blossum Park), north through multiple large neighbourhoods (Hunt Club, Alta Vista, Old Ottawa South, The Glebe, Centretown) to Wellington Street, home of Canada's Parliament Buildings. Almost every afternoon, I photograph a particular stretch of Bank Street from Third Avenue in The Glebe to Wellington Street near Parliament. This series of 25 street photographs is a product of these walks through the lens of a 1972 Canon Canonet rangefinder on inexpensive, often expired, color film. The photographs are presented in order of their location from the Bank Street intersection with Third Avenue, proceeding north toward the intersection with Laurier Avenue.
BASE
In: The lines of the symbolic in psychoanalysis series
This innovative text addresses the lack of literature regarding intersectional approaches to psychoanalysis, underscoring the importance of thinking through race, class, and gender within psychoanalytic theory and practice. The book tackles the widespread perception of psychoanalysis today as a discipline detached from the progressive ideals of social responsibility, institutional psychotherapy, and community mental health. Bringing together a range of international contributions, the collection explores issues of class, politics, oppression, and resistance within the field of psychoanalysis in cultural, theoretical, and clinical contexts. It shows how, in contrast to this misperception, psychoanalysis has been attentive to these ideals from its origins, as well as demonstrating how it continues to be relevant today, through wide-ranging conceptual discussions of the anti-globalization, Black Lives Matter, and #MeToo movements. Written in an accessible style, Psychoanalysis, Politics, Oppression and Resistance will be essential reading for practicing psychoanalysts as well as academics and students in a range of humanities and social sciences fields.
In: The lines of the symbolic in psychoanalysis series