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In: Religious Cultures of African and African Diaspora People
Dianne M. Stewart analyzes the sacred poetics, religious imagination, and African heritage of Yoruba-Orisa devotees in Trinidad from the mid-nineteenth century to the present.
In: National civic review: promoting civic engagement and effective local governance for more than 100 years, Band 94, Heft 3, S. 55-58
ISSN: 1542-7811
In: The American prospect: a journal for the liberal imagination, Band 16, Heft 5, S. A21-A23 : il(s)
ISSN: 1049-7285
In: Reflets: Revue d'intervention sociale et communautaire, Band 5, Heft 2, S. 239
ISSN: 1712-8498
In: Africana Religions 2
Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction: Kongo Christianity, Festive Performances, and the Making of Black Atlantic Tradition -- Part 1 Ritual Battles from the Kongo Kingdom to the Americas -- 1 Sangamentos on Congo Square? Kongolese Warriors, Brotherhood Kings, and Mardi Gras Indians in New Orleans -- 2 Moros e Christianos Ritualized Naval Battles: Baptizing American Waters with African Spiritual Meaning -- 3 A Mexican Sangamento? The First Afro-Christian Performance in the Americas -- Part 2 America's Black Kings and Diplomatic Representation -- 4 Representing an African King in Brazil -- 5 Black Ceremonies in Perspective: Brazil and Dahomey in the Eighteenth Century -- Part 3 Reconsidering Primary Sources -- 6 Envisioning Brazil's Afro-Christian Congados: The Black King and Queen Festival Lithograph of Johann Moritz Rugendas -- 7 The Orisa House That Afro-Catholics Built: Africana Antecedents to Yoruba Religious Formation in Trinidad -- Part 4 Aurality and Diasporic Traditions -- 8 On Hearing Africas in the Americas: Domestic Celebrations for Catholic Saints as Afro-Diasporic Religious Tradition -- Contributors -- Index