Suchergebnisse

Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- Notes on contributors -- 1 Researching the senses in physical culture: charting the territory and locating an emerging field -- 2 Making sense of the primal scream: sensory peak performance and the affective drama of athletic competitions -- 3 Running a temperature: sociological-phenomenological perspectives on distance running, thermoception and 'temperature work' -- 4 Ethnoaesthesia: Ashtanga yoga and the sensuality of sweat -- 5 Sensing our way through ocean sailing, windsurfing and kayaking: tales of emplaced sensual kinaesthesia -- 6 Performing the sensory body in a tandem cycling group: social dialogues between blindness and sight -- 7 Glow sport: re-configuring perception of space in sport and leisure practice -- 8 'It's only gay if you make eye contact': the regulation of touch in Brazilian Jiu Jitsu -- 9 Mixed martial arts coaches and sensory pedagogies -- 10 Researching the senses in physical culture and producing sensuous scholarship: methodological challenges and possibilities -- Index

In response to the plea by Pelias (2004) for a methodology of the heart, this article presents a story about the embodied struggles of an academic at a university that is permeated by an audit culture. It is based on informal interviews with academics at various universities in England and selected personal experiences. Thus, the constructive process is inspired by partial happenings, fragmented memories, echoes of conversations, whispers in corridors, fleeting glimpses of myriad reflections seen through broken glass, and multiple layers of fiction and narrative imaginings. Methodological issues abound in the telling and showing but, quite rightly, remain dormant on this occasion. In the end, the story simply asks for your consideration.

This article focuses on Lance Armstrong's autobiography titled It's Not About the Bike: My Journey Back to Life. From a perspective informed by autobiographical studies and the sociology of the body and illness, insights are provided into a variety of bodies, selves, and narratives that circulate within the text. The case is made that early in his sporting career, Armstrong develops a disciplined and dominating body that has an elective affinity for the cyborg narrative. On being diagnosed with cancer, these ideal body types lead him toward a restitution narrative. The illness experience, however, provides an opportunity for a communicative body to emerge that links him to a quest narrative. On returning to elite sport, former body-self relationships are restored and foregrounded. Issues are raised regarding the cultural shaping of Armstrong's autobiography, and its form and content are problematized.

This article is informed by recent trends in narrative research that focus on the meaning-making actions of those involved in describing the life course. Drawing upon data generated during a series of interactive interviews with a 70-year-old physically active man named Fred, his story is presented to illustrate a strategic model of narrative activity. In particular, using the concepts of `big stories' and `small stories' as an analytical framework, we trace Fred's use of two specific identities; being fit and healthy , and being leisurely to analyse the ways that he accomplishes an ontological narrative where the plot line reads; ` Life is what you make it'. The ways in which this narrative enables Fred to perform a narrative of positive self-ageing in his everyday life is illustrated. Finally, the analytical possibilities of being attentive to both big and small stories in narrative analysis are discussed.

In recent years, qualitative researchers have in varied ways conceptualized selves and identities as narratively constructed. In this article, we offer a typology for viewing, the various conceptualizations of narrative identities and selves. Five perspectives are presented for discussion. These are, the psychosocial, the inter-subjective, the storied resource, the dialogic and the performative perspectives. Insights into contrasts between them are also generated by exploring the emphasis given by each perspective to both the social and individual in creating selves and identities. These contrasts are organized along a continuum, with perspectives that adopt a `thick individual' and `thin social relational' view to the self and identity at one end, and those that adopt a `thin individual' and `thick social relational' view at the other. We close by suggesting that each perspective is worthy of consideration in its own right and that coexistence is possible despite their differences.

Based on life history data, this article explores how time is experienced by three men who have become disabled through playing sport. Comparisons are made between their experiences of time at the following periods in their lives: (a) pre-spinal cord injury (SCI) when they inhabited able bodied, sporting, disciplined and dominating bodies; (b) immediately following SCI during rehabilitation; and (c) as they live at the moment post-SCI. The ways in which three different narratives operate to shape the post-SCI experiences of time for these men are highlighted, and the implications of this process for their identity (re)construction as disabled men is discussed.

Based on life history data, this article explores the manner in which coherence is constructed in the narratives told by two men who have acquired a spinal cord injury through playing sport. Drawing on the principles advocated by Gubrium and Holstein, and Holstein and Gubrium, along with a number of analytic concepts provided by others (e.g. Frank, Gerschick and Miller, Leder, van Manen and Yoshida), we illustrate how various narrative practices inform this process and how they are framed by both the local and cultural conventions of telling. It is suggested that coherence is not an inherent feature of narratives but is both artfully crafted in the telling and drawn from the available meanings, structures and linkages that comprise stories.

This article focuses on the narrative identity dilemmas of four men who have experienced spinal cord injury (SCI) through playing rugby football union and now define themselves as disabled. The biographical data illustrate how body-self relationships moved from an absent presence in the lives of these men to something that was other, problematic, and alien. This transformation instigated anxieties concerning the combined loss of specific masculine and athletic identities that were formerly at the apex of the participants' identity hierarchy. In such circumstances, the desire for a restored self is highlighted, as are the limited narrative resources that frame this coping strategy. Suggestions for how this situation might be changed are then offered.