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Five years after his death, the dystopian world that his music describes seems closer than ever. But maybe he can show us a way out of it.

"Simon Critchley (born 27 February 1960) is an English philosopher and the Hans Jonas Professor of Philosophy at the New School for Social Research in New York, USA.[2] Challenging the ancient tradition that philosophy begins in wonder, Critchley argues that philosophy begins in disappointment.[3] Two particular forms of disappointment inform Critchley's work: religious and political disappointment. While religious disappointment arises from a lack of faith and generates the problem of what is the meaning of life in the face of nihilism, political disappointment comes from the violent world we live in and raises the question of justice in a violently unjust world.[4][5] In addition, to these two regions of research, Critchley's recent works have engaged in more experimental forms of writing on Shakespeare, David Bowie, suicide, Greek tragedy and association football"

The return to religion has perhaps become the dominant cliche of contemporary theory, which rarely offers anything more than an exaggerated echo of a political reality dominated by religious war. Somehow, the secular age seems to have been replaced by a new era, where political action flows directly from metaphysical conflict. The Faith of the Faithless asks how we might respond. Following Critchley's Infinitely Demanding, this new book builds on its philosophical and political framework, also venturing into the questions of faith, love, religion and violence. Should we defend a version of secularism and quietly accept the slide into a form of theism--or is there another way? From Rousseau's politics and religion to the return to St. Paul in Taubes, Agamben and Badiou, via explorations of politics and original sin in the work of Schmitt and John Gray, Critchley examines whether there can be a faith of the faithless, a belief for unbelievers. Expanding on his debate with Slavoj Zizek, Critchley concludes with a meditation on the question of violence, and the limits of non-violence

Introduction. The possibility of commitment -- 1. Demanding approval : a theory of ethical experience -- 2. Dividualism : how to build an ethical subject -- 3. The problem of sublimation -- 4. Anarchic metapolitics : political subjectivity -- Appendix. Crypto-Schmittianism : the logic of the political in Bush's America

Emmanuel Levinas is now widely recognised alongside Heidegger, Merleau-Ponty and Sartre as one of the most important Continental philosophers of the twentieth century. His abiding concern was the primacy of the ethical relation to the other person and his central thesis was that ethics is first philosophy. His work has also had a profound impact on a number of fields outside philosophy such as theology, Jewish studies, literature and cultural theory, psychotherapy, sociology, political theory, international relations theory and critical legal theory. This volume, first published in 2002, contains overviews of Levinas's contribution in a number of fields, and includes detailed discussions of his early and late work, his relation to Judaism and talmudic commentary, and his contributions to aesthetics and the philosophy of religion.

In this paper I give a detailed critical discussion of Derrida's important 1994 book Specters of Marx. I begin by discussing the hypothesis advanced in the book and then make a number of remarks about its context. I then go on to discuss the central theme of Specters of Marx: the messianic. As a way of unpacking this theme, I address a number of subthemes in Specters of Marx: the injunction of différance, democracy to come, justice, religion and the es spukt (it spooks). As a consequence of this discussion, I turn to the theme of the political and address the subthemes of hegemony, the decision and the New International. I conclude the paper with a discussion of two more speculative themes that arise out of Specters of Marx: the question of the economic and the technological. ; In this paper I give a detailed critical discussion of Derrida's important 1994 book Specters of Marx. I begin by discussing the hypothesis advanced in the book and then make a number of remarks about its context. I then go on to discuss the central theme of Specters of Marx: the messianic. As a way of unpacking this theme, I address a number of subthemes in Specters of Marx: the injunction of différance, democracy to come, justice, religion and the es spukt (it spooks). As a consequence of this discussion, I turn to the theme of the political and address the subthemes of hegemony, the decision and the New International. I conclude the paper with a discussion of two more speculative themes that arise out of Specters of Marx: the question of the economic and the technological.