Suchergebnisse

Abstract
Building on conceptions of policing as a colonial project, this article contributes to spatial and sensory understandings of policing by examining everyday practices of gender and racial criminalization. I argue that criminalization results from 'seeing like a cop' (Guenther 2019), and reordering and securing spaces accordingly. I explore the logics, practices and effects of this regime of visuality and spatial governance, drawing upon research on the criminalization of women who experience interpersonal, state and structural violence in Melbourne, Australia. For these women, police visions of danger, disorder and disposability pre-empt their displacement and punishment. The perceptual practices of police forge carceral continuums that connect the gentrifying streetscape and the home, producing both as sites of racial surveillance and gender entrapment. The article highlights the capacity for sensory analysis to deepen understandings of the violence work of policing.

This paper develops a conception of 'carceral atmospheres' as a way of framing our encounter with the sound art and archive how are you today, created by the Manus Recording Project Collective (MRPC). This 2018 work involved the creation and collection of 84 field recordings by six asylum seekers and refugees indefinitely detained on Manus Island by the Australian government. I argue that a proper engagement with the medium and mode of production of how are you today – that is, offshore detention and transborder solidarity – requires a sensory politics that is attuned to the dynamic and increasingly diffuse nature of carceral power. The paper explores the tension between the tangible and intangible nature of carceral space, the heterogeneity of prison soundscapes and the significance of time to experiences of punishment. Complicating the presumption of sound as object of analysis, I consider how field recordings both convey and create atmospheres.

Taking an abolition feminist standpoint, this article develops a critique of the absorption of the language of 'trauma-informed practice' into gendered penal policy. We use Carol Bacchi's methodology for post-structural policy analysis, which centres around the question, 'what is the problem represented to be?', and apply it to an Australian correctional policy document designed to inform practice in the Victorian women's prison system: Strengthening Connections. We find that the policy constructs criminalised women's trauma as an individual psychological pathology that causes 'criminal offending' and makes them vulnerable to further harm. In effect, the prison is framed as both necessary for the protection of the community and for the protection of criminalised women themselves. We argue that these discursive distortions sanitise the structural violence of the prison and revalorise the carceral state under the guises of rehabilitation and therapy. Our contribution highlights broader implications and challenges for criminological research that engages attempts to 'soften' carceral conditions without reckoning with their capacity to entrench gendered carceralism.

New technologies for recording, reproducing, and disseminating sound are increasingly accessible and provide important opportunities for listening to accounts of confinement. Through a politics and practice of 'earwitnessing detention', this article explores experiential patterns and distinctions between immigration detention and imprisonment. By 'tuning in' to radio and podcasting emerging from and through carceral spaces, we argue that both detained asylum seekers and Aboriginal prisoners in Australia narrate an experience of 'indefinite stuckness'. Indefinite stuckness is an existential condition within a carceral continuum that is both spatial and temporal, and characterised by massive racial inequalities. For detained asylum seekers, indefinite stuckness manifests in the absence of a set release date, whereas for Aboriginal prisoners, it is a cycle of criminalisation and re-incarceration in the colony. This important distinction shapes how detention is represented: as torturous and abusive, or as an opportunity for respite from the 'chaos' outside. Linking these sometimes-divergent accounts of confinement are themes of friendship and community as forms of survival and resistance to the abjection that frequently accompanies indefinite stuckness.

Women's rates of remand, or pre-trial detention, have grown dramatically in Australia and the rates at which Aboriginal and Torres Strait Islander women are incarcerated without conviction are particularly high. However, there is little research examining bail and remand practices and their relationship to social inequalities. This article presents findings from research on the drivers behind women's increasing rates of custodial remand in Victoria—a jurisdiction that has significantly restricted access to bail through legislative reforms. Drawing on data derived from interviews with criminal defence and duty lawyers, we outline how bail and remand practices systematically disadvantage women experiencing housing insecurity and domestic and family violence (DFV), increasing their risk of becoming trapped in longer-term cycles of incarceration. Our analysis reinforces the need to move away from 'tough on crime' approaches to bail. It also highlights unintended consequences of DFV reforms, including further marginalising and punishing criminalised women who are victim-survivors.

Women's rates of remand, or pre-trial detention, have grown dramatically in Australia and the rates at which Aboriginal and Torres Strait Islander women are incarcerated without conviction are particularly high. However, there is little research examining bail and remand practices and their relationship to social inequalities. This article presents findings from research on the drivers behind women's increasing rates of custodial remand in Victoria—a jurisdiction that has significantly restricted access to bail through legislative reforms. Drawing on data derived from interviews with criminal defence and duty lawyers, we outline how bail and remand practices systematically disadvantage women experiencing housing insecurity and domestic and family violence (DFV), increasing their risk of becoming trapped in longer-term cycles of incarceration. Our analysis reinforces the need to move away from 'tough on crime' approaches to bail. It also highlights unintended consequences of DFV reforms, including further marginalising and punishing criminalised women who are victim-survivors.

This article discusses findings from an ethnographic study of a bail and remand court in Victoria, Australia. Through a focus on the sensory dimensions of forced movements within and through the bail court, the article contributes to the burgeoning sub-field of sensory criminology and develops the concept of 'carceral churn'. The article argues that the bail court's churn reproduces criminal and carceral subjects and is implicated in a project of carceral buildup. The churn of the bail court involves forms of mobility and exchange via the inter- and intra-carceral spaces that variously dull, distort, deprive or assault the senses with oppressive effects. This includes both 'new' and 'old' penal technologies such as holding cells, the custody dock, AV links and court-prison transport. The analysis of sensory violence challenges the notion that court 'efficiency' can improve justice experiences and outcomes and instead calls for increased attention to the harms and lethality that flow from carceral churn left un-checked.