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"This pioneering study focuses on the decisive contributions by Albrecht Dürer, Lucas Cranach the Elder, and Hans Holbein the Younger to the popular promotion of the printed Bible and, beyond that, to the evangelical impulses that transformed ecclesiastical art. The Renaissance, always recognized as a time of artistic and theological foment for Christianity, also witnessed a visual re-formation of the Bible. Material culture played its part since the printing press allowed proliferation of biblical images and texts on a previously unimaginable scale. Contrary to commonly accepted claims that the Reformation resulted in the atrophy of art, artists offered richly visual experiences for the biblical culture of the new Protestant churches. This book further explicitly explores the paradox of the Bible's cultural status. The Bible, authority for Christian culture, shattered the unity of Christianity with its divergent editions and translations. Reformation art required new approaches to accommodate confessional and textual diversity. Rulers, theologians, and artists created new Bibles as foundations for transformative socio-political movements. In Price's richly nuanced study, a new understanding emerges of how Dürer, Cranach, and Holbein invented biblical iconographies as they promoted the relationship of biblicism to faith and political authority"--

A visual transformation of the Bible took place in the Renaissance and Reformation. Initially, this occurred as a result of technological advances, for the printing press proliferated biblical texts and images on a previously unimaginable scale. Equally important, Reformation theology, though also a threat to art, served as a catalyst for the creation of innovative biblical iconography. 'In the Beginning Was the Image' demonstrates the pivotal role that the defining artists of the Northern Renaissance - Albrecht Dèurer, Lucas Cranach, and Hans Holbein-played in the reformation of the Bible and the biblical transformation of Protestant art.

Throughout the early 16th century Germany, attempts were made to confiscate and destroy Jewish books in order to end the practice of Judaism throughout the empire. Johannes Reuchlin wrote a passionate defense of Jewish writings and legal rights in 1510. Here is a study of Reuchlin's writings and their impact on Jewish-Christian relations

The importance of Indonesia's Corruption Eradication Commission (Komisi Pemberantasan Korupsi [KPK]), has once again been brought into focus during the 2024 presidential election campaign period when politics and corruption collide. This article suggests that legislative and political actions since 2019 to the KPK's purpose and structure severely limit its capacity and independence making it susceptible to greater political interference and coercion. The KPK was established by Law 30/2002, as a response to and recognition of rampant corruption throughout the governmental, political and public sectors, business communities, and society in general, which became common practice during President Suharto's New Order Regime. The KPK's commission encompasses conducting investigations, indictments, and prosecutions. However, in late 2019, the People's Representative Council enacted amending legislation to weaken its authority and ability to operate independently. Crucial legislative changes included creating a government-appointed supervisory body overseeing the KPK's internal operations and changing KPK employee status from independent agents to public servants. These two provisions alone seriously weaken the KPK's autonomy and create the risk of turning it into a politically controlled auxiliary state agency. In some respects, KPK has become a victim of its own successes, having achieved convictions of senior ministers, politicians, government officials, and business leaders, which in turn has produced enemies. Without political protection, the KPK faces the prospect of not only becoming, in essence, a nonentity but also facing further deterioration of its credibility and authority.