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Peggy Orenstein's Girls & Sex broke ground, shattered taboos, and galvanized conversations about young women's right to pleasure and agency in sexual encounters. It also had an unintended effect on its author: Orenstein realized that talking about girls is only half the conversation. To understand girls and sex, we also need to talk about boys and sex. Today's young men are subject to the same cultural forces as their female peers. They are steeped in the distorted media images and binary stereotypes of female sexiness and toxic masculinity which shape how they, too, navigate sexual and emotional relationships. In Boys & Sex, Orenstein uses the same fascinating mix of anecdote and research to reveal how young men understand and negotiate the new rules of physical and emotional intimacy. Drawing on comprehensive interviews with young men, psychologists, academics, and experts in the field, Orenstein takes an unprecedented look at the myriad factors that are shaping boys' ideas of sex, girls, and masculinity

Introduction: "My brain hurt like a warehouse" -- Flow, or fixity in motion: the warehouse -- Security and securitization: the bonded warehouse -- Imperium in imperio: the Freihafen, the Zllverein, and the empire of logistics -- What we talk about when we talk about manufacturing: the foreign-trade zone -- "Plant your plant at a home away from home, at home": the subzone -- Conclusion: free shipping!

"The bestselling author of Girls & Sex and Cinderella Ate My Daughter delivers her first ever collection of essays--funny, poignant, deeply personal and sharply observed pieces, drawn from three decades of writing, which trace girls' and women's progress (or lack thereof) in what Orenstein once called a "half-changed world." Named one of the "40 women who changed the media business in the last 40 years" by Columbia Journalism Review, Peggy Orenstein is one of the most prominent, unflinching feminist voices of our time. Her writing has broken ground and broken silences on topics as wide-ranging as miscarriage, motherhood, breast cancer, princess culture and the importance of girls' sexual pleasure. Her unique blend of investigative reporting, personal revelation and unexpected humor has made her books bestselling classics. In Don't Call Me Princess, Orenstein's most resonant and important essays are available for the first time in collected form, updated with both an original introduction and personal reflections on each piece. Her takes on reproductive justice, the infertility industry, tensions between working and stay-at-home moms, pink ribbon fear-mongering and the complications of girl culture are not merely timeless--they have, like Margaret Atwood's The Handmaid's Tale, become more urgent in our contemporary political climate. Don't Call Me Princess offers a crucial evaluation of where we stand today as women--in our work lives, sex lives, as mothers, as partners--illuminating both how far we've come and how far we still have to go"--

A generation gap has emerged between parents and their girls. Even in this age of helicopter parenting, the mothers and fathers of tomorrow's women have little idea what their daughters are up to sexually or how they feel about it. Drawing on in-depth interviews with over seventy young women and a wide range of psychologists, academics, and experts, journalist Peggy Orenstein pulls back the curtain on the hidden truths, hard lessons, and important possibilities of girls' sex lives in the modern world. While the media has focused -- often to sensational effect -- on the rise of casual sex and the prevalence of rape on campus, Orenstein brings more to the table. She examines the ways in which porn and all its sexual myths have seeped into young people's lives; what it means to be the "the perfect slut" and why many girls scorn virginity; the complicated terrain of hookup culture and the unfortunate realities surrounding assault

Why I hoped for a boy -- What's wrong with Cinderella? -- Pinked! -- What makes girls, girls? -- Sparkle, sweetie! -- Guns and (briar) roses -- Wholesome to whoresome: the other Disney princesses -- It's all about the cape -- Virtually me -- Girl power-no, really

To what extent do international organizations, global policy networks, and transnational policy entrepreneurs influence domestic policy makers? Have we entered a new phase of globalization that, unbeknownst to most citizens, shapes policies that used to be the sole domain of domestic politics? Privatizing Pensions reveals how international institutions--such as the World Bank, USAID, and other transnational policy actors--have played a seminal role in the development, diffusion, and implementation of new pension reforms that are transforming the postwar social contract in more than thirty cou.