New Queer Cinema: The Director's Cut, by B. Ruby Rich: Durham, NC and London: Duke UP, 2013
In: Women's studies: an interdisciplinary journal, Band 43, Heft 5, S. 673-677
ISSN: 1547-7045
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In: Women's studies: an interdisciplinary journal, Band 43, Heft 5, S. 673-677
ISSN: 1547-7045
In: Women's studies: an interdisciplinary journal, Band 43, Heft 5, S. 673-677
ISSN: 0049-7878
In: Aztlán: international journal of Chicano studies research, Band 32, Heft 1, S. 197-204
In: Signs: journal of women in culture and society, Band 31, Heft 3, S. 641-674
ISSN: 1545-6943
A section of a Special Issue of the Journal of International Women's Studies dedicated to pioneering Black Lesbian Feminist scholar, activist, artist, teacher Angela Bowen, Ph.D. (1936-2018.) The special issue contains sample materials from Bowen's archive, which will be housed at Spelman College, including writings, audio and video of speeches, and photos documenting her career as a dancer, her activism on Black lesbian and gay issues, and her career in Women's Studies, among other topics. This section focuses on her friendship and scholarship on Audre Lorde, including the historic 1990 "I Am Your Sister" conference and her scholarly publications on Lorde's poetry and political significance.
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In: Feminist media histories, Band 5, Heft 4, S. 21-55
ISSN: 2373-7492
This article is a cross-generational exchange of ideas and experiences that explores the intersections of film curating and activism. Its authors set forth accounts of their own experiences as scholars who have worked as film festival curators "on the side" from the 1990s to the present within the context of the new yet rapidly growing field of film festival studies, which provides a useful set of perspectives and methods for understanding how film festivals function and what significance and impact they can have on the multiple stakeholders involved, including but not limited to the filmmakers, festival organizers and staff, and audiences. Their experiences shed light on the ways that identity-based film festivals have evolved through engagement with economic and political forces of globalization and neoliberalism even as they function as important, fluid sites of community building where identities are negotiated, contested, and articulated.
In: Signs: journal of women in culture and society, Band 31, Heft 3, S. 889-893
ISSN: 1545-6943