Suchergebnisse

Cover -- Title -- Copyright -- Contents -- Preface -- Chronology -- Introduction -- What Is Popular Culture? -- The Political Context -- Globalization and Global Popular Culture -- Orientation to This Volume -- Further Reading -- Chapter 1: Popular Music -- Introduction -- Further Reading -- Alternative Music Scenes, China -- Further Reading -- Arirang: Korean Folk Song -- Further Reading -- Discography -- Contemporary Popular Music, China -- Further Reading -- Ethnic Music, China -- Further Reading -- Folk Songs, India -- Further Reading -- Heavy Metal, Punk, and Indie Music, Indonesia

By taking a cross-cultural approach based on library research, content analysis, and fieldwork in the Philippines, this paper compares Southeast Asian and European tales. The Southeast Asian tales are rooted in local philosophical and cultural traditions. Balinese literature is replete with descriptions of rituals to ward off vampires. The flying half-bodied Aswangs in the Philippines, like their Malaysian sisterlings, can be shown to bear some resemblance to Balinese witches who culminate in the Rangda, the queen of witches. The Balinese ritual battle between the troubled widow witch Rangda and the gentle Barong offers a circular view of history that arguably holds to a universal notion of good and evil. In contrast, European witch tales can be traced back to the hysterical witch hunts and persecution of female midwives and healers in Medieval times that were perceived as threatening the power and authority of male doctors, priests, and landed government officials. The conclusion is that Southeast Asian lore connotes a different set of gender relations and attitudes toward women and children than European origin.

"This important and timely reference work examines violence against women and gender-based discrimination around the world, providing a global perspective on why this kind of oppression is still occurring in the 21st century"

"Asian American Identities and Practices: Folkloric Expressions in Everyday Life probes the intersection, interplay, and interconnection of Asian and Asian American folklore and folklife in globally fluid and culturally creative landscapes among Asian American communities and subjects. Asian American folklore, as a way of life and practice, has emerged and continues to emerge as Asian Americans lay claim and take root in the American mosaic. As such, the contributors in this volume all show how the Asian American historical experiences and continued international migration inform the production of new folkloric practices, subjectivities, and ideologies, which in turn strengthen specific Asian American ways of life while normalizing folklore that are squarely produced in Asian America. This collection illustrates that Asian American folklore and folklife is interwoven with social relationships, the creation of various types of ethnic, cultural, and national identities, and adaptive strategies within the particular historical periods, communities, and shifting boundaries and demographics of Asian America. The global context of Asian American folklore and folklife, especially in the racially charged post-9/11 context, bespeaks how Asians, past and present, maneuver the cultural spaces of their host society and old traditions to create new sites and new opportunities for cultural folkloric production and expression in everyday life."--