Setting the Standard: Mary Church Terrell's Last Campaign for Social Justice
In: The black scholar: journal of black studies and research, Band 29, Heft 2-3, S. 47-53
ISSN: 2162-5387
6 Ergebnisse
Sortierung:
In: The black scholar: journal of black studies and research, Band 29, Heft 2-3, S. 47-53
ISSN: 2162-5387
In: Signs: journal of women in culture and society, Band 22, Heft 2, S. 403-426
ISSN: 1545-6943
In: NWSA journal: a publication of the National Women's Studies Association, Band 8, Heft 2, S. 152-156
ISSN: 1527-1889
In: Journal of Third World studies: historical and contemporary Third World problems and issues, Band 13, Heft 1, S. 418-420
ISSN: 8755-3449
The years between the collapse of Reconstruction and the end of World War I mark a pivotal moment in African American cultural production. Christened the "Post-Bellum-Pre-Harlem" era by the novelist Charles Chesnutt, these years look back to the antislavery movement and forward to the artistic flowering and racial self-consciousness of the Harlem Renaissance.Post-Bellum, Pre-Harlem offers fresh perspectives on the literary and cultural achievements of African American men and women during this critically neglected, though vitally important, period of our nation's past. Using a wide range of disciplinary approaches, the sixteen scholars gathered here offer both a reappraisal and celebration of African American cultural production during these influential decades. Alongside discussions of political and artistic icons such as Booker T. Washington, W.E.B. Du Bois, Henry Ossawa Tanner, and James Weldon Johnson are essays revaluing figures such as the writers Paul and Alice Dunbar-Nelson, the New England painter Edward Mitchell Bannister, and Georgia-based activists Lucy Craft Laney and Emmanuel King Love.Contributors explore an array of forms from fine art to anti-lynching drama, from sermons to ragtime and blues, and from dialect pieces and early black musical theater to serious fiction.Contributors include: Frances Smith Foster, Carla L. Peterson, Gwendolyn DuBois Shaw, Audrey Thomas McCluskey, Barbara Ryan, Robert M. Dowling, Barbara A. Baker, Paula Bernat Bennett, Philip J. Kowalski, Nikki L. Brown, Koritha A. Mitchell, Margaret Crumpton Winter, Rhonda Reymond, and Andrew J. Scheiber
Among the most prominent icons of the American south is that of the southern belle, immortalized by such figures as Scarlett O'Hara, Dolly Madison, and Lucy Pickens (whose elegant image graced the Confederate $100 bill). And yet the women of America's south iave always defied pat generalization, no more readily forced into facle categories than women in the country's other regions.Never before has a book of southern history so successfully integrated the experiences of white and non-white women. Among the myriad subjects addressed in the book are black women's suffrage, the economic realities of Choctaw women, female kin and female slaves in planters's wills, the northern myth of the rebel girl, second wave feminism in the South, and southern lesbians. Bringing to light the lives of Cherokee women, Appalachian "coal daughters," and Jewish women in the South, the essays all but one published in this book for the first time, ensure that monolithic representations of southern womanhood are a thing of the past.Filling a crucial gap in southern history and women's history, Women of the American South is a valuable reference and pedagogical aid for a wide range of scholars and students