Suchergebnisse

Writing off the beaten track requires confidence, courage, and chutzpah. Collaborating off the beaten track requires something more: trust, for a start, not to mention flexibility, respect, a robust sense of humour, and an appetite for intellectual risk-taking. Join us as we revisit some memorable moments from the off-piste collaboration of a book author (Helen) and an illustrator (Selina) who also happen to be colleagues, co-mentors, and friends. The title and topic of Helen's book, Writing with Pleasure, became the modus operandi of our collaborative process as we negotiated the challenges and rewards of venturing into new territory together. Like the forty illustrated panels that we co-produced for the book, these storyboarded scenes confound academic conventions and resist easy explication. Instead, they "gesture toward, lean into, sport with, learn from, dance around, and laugh about" (Sword, 2023, p. ii) the themes that they address: from shadowy sharks to unexpected treasures; from structural designs to serendipitous discovery; from imposter syndrome to creative confidence; and from surprise to delight.

This special issue of The Contemporary Pacific features a selection of artists and academics who have emerged in the wake of Albert Wendt's pioneering (and occasionally polarizing) career as the Pacific's most prominent poet, novelist, essayist, academic, and painter. The contributors conscientiously grapple with both the possibilities and the problematics that his work has opened up for them. Taken as a whole, this special issue marks out the space of a contemporary Oceanic imaginary and politics that our contributors have been able to discover, revisit, claim, contest, expand, and depart from—all as a direct consequence of Wendt's having traveled there first. This introduction delineates the significance of Wendt's critical and creative legacy in Oceania by providing a brief précis of Wendt's literary, institutional, cultural, and political achievements. It articulates the vision of this collection: that our generation of artists and scholars, and subsequent generations of Pacific public intellectuals must begin or purposefully continue to (a) draw on both scholarship and art as equally valid sources of critical and creative perception for the consolidation and invigoration of social and political analysis in Oceania, and (b) foster a sense of intellectual history to successfully navigate the ongoing challenges of representation by and for the Pacific.