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In: Women & performance: a journal of feminist theory, Band 4, Heft 2, S. 104-117
ISSN: 1748-5819
In: Women & performance: a journal of feminist theory, Band 4, Heft 1, S. 150-156
ISSN: 1748-5819
In: Women & performance: a journal of feminist theory, Band 3, Heft 2, S. 7-31
ISSN: 1748-5819
In: Women & performance: a journal of feminist theory, Band 3, Heft 2, S. 97-102
ISSN: 1748-5819
In: Women & performance: a journal of feminist theory, Band 3, Heft 1, S. 17-27
ISSN: 1748-5819
In: Women & performance: a journal of feminist theory, Band 1, Heft 1, S. 19-28
ISSN: 1748-5819
In: Women & performance: a journal of feminist theory, Band 3, Heft 2, S. 4-5
ISSN: 1748-5819
In: Women & performance: a journal of feminist theory, Band 10, Heft 1-2, S. 255-275
ISSN: 1748-5819
In: Women & performance: a journal of feminist theory, Band 3, Heft 2, S. 41-56
ISSN: 1748-5819
In: Women & performance: a journal of feminist theory, Band 4, Heft 1, S. 157-191
ISSN: 1748-5819
In: Women & performance: a journal of feminist theory, Band 3, Heft 1, S. 97-133
ISSN: 1748-5819
In: Women & performance: a journal of feminist theory, Band 2, Heft 1, S. 81-116
ISSN: 1748-5819
In: Women & performance: a journal of feminist theory, Band 1, Heft 1, S. 74-85
ISSN: 1748-5819
In: Women & performance: a journal of feminist theory, Band 1, Heft 2, S. 133-169
ISSN: 1748-5819
In: Post-Contemporary Interventions
Frontmatter -- CONTENTS -- Acknowledgments -- Introduction -- I DANCE AND CULTURAL STUDIES -- 1 Embodying Difference: Issues in Dance and Cultural Studies -- 2 Cultural Studies and Dance History -- II SOCIAL LIVES, SOCIAL BODIES -- 3 Reinstating Corporeality: Feminism and Body Politics -- 4 "The Story Is Told as a History of the Body": Strategies of Mimesis in the Work of Irigaray and Bausch -- 5 Classical Ballet: A Discourse of Difference -- 6 Ballet as Ideology: Giselle, Act 2 -- 7 Dancing the Orient for England: Maud Allan's The Vtsion of Salome -- 8 The Female Dancer and the Male Gaze: Feminist Critiques of Early Modern Dance -- 9 Some Thoughts on Choreographing History -- 10 Auto-Body Stories: Blondell Cummings and Autobiography in Dance -- 11 Dance Narratives and Fantasies of Achievement -- III EXPANDING AGENDAS FOR CRITICAL THINKING -- 12 Dancing Bodies -- 13 Spectacle and Dancing Bodies That Matter: Or, HIt Don't Fit, Don't Force It -- 14 Sense, Meaning, and Perception in Three Dance Cultures -- 15 Some Notes on Yvonne Rainer, Modernism, Politics, Emotion, Performance, and the Aftermath -- 16 Homogenized Ballerinas -- 17 Dance Ethnography and the Limits of Representation -- Vodou, Nationalism, and Performance: The Staging of Folklore in Mid-Twentieth-Century Haiti -- Notes on Contributors -- Permissions -- Index