Gender and voice in medieval French literature and song
Introduction / Rachel May Golden and Katherine Kong -- Silence and Speech in Le Chevalier de la charrette / Katherine Kong -- It Takes Two: Considerations of Voice and Performance of the Male-Female Tenso / Tamara Bentley Caudill -- "Per vers o per chanso": Grammar, Gender, and Song in Aimeric de Peguilhan's Mangtas vetz sui enqueritz / Anne Adele Levitsky -- When Courtly Song Invades History: Lyricizing Blanche de Castile / Meghan Quinlan -- Gendered Grief, Temporality, and Reinvention in Two Northern French Crusade Songs / Rachel May Golden -- Real Men Preach: Constructions of Clerical Masculinity in the Context of Thirteenth-Century Crusade Preaching / Lydia M. Walker -- Chansons polies? Expressing Gendered Identity and Experience in the Ars antiqua Motet / Lisa Colton -- Jonete et Jolie: Polyphony and Gendered Voices in the Old French Motet / Anna Kathryn Grau -- "Et encore ne me puis taire": Voice, Gender, and Class in Christine de Pizan's Political Writings, 1405-1413 / Emily J. Hutchison -- Voiceover: Anne de Graville's Beau Romant, Boccaccio's Teseida, and Alain Chartier's Belle Dame sans mercy Daisy Delogu