Suchergebnisse

1. Introduction -- 2. Theoretical Considerations -- 3. Confirming a Secular World Order: Ingmar Bergman's The Silence -- 4. A Moving World: George Orwell's Nineteen Eighty-Four -- 5. The Creation Of the Social: Rolf Hochhuth's The Deputy -- 6. The Social Visibility of Corporeality: The Rebel Youth Films in the Fifties -- 7. Fiction Between Representation and Quotation: Rainer Werner Fassbinder's Garbage, the City and Death -- 8. Conclusions.

Intro -- Acknowledgments -- Abbreviations -- Contents -- Chapter 1: Introduction -- 1.1 The Cases -- 1.2 Some Words on Methodology -- 1.2.1 Translations -- References -- Chapter 2: Theoretical Considerations -- 2.1 The Political Foundations of the Social -- 2.1.1 The Imaginary Dimension of Social Reality -- 2.1.2 The Political Beyond Institutionalized Politics -- 2.1.3 Fiction and Aesthetics: Acts of Subjectification -- 2.2 Constituting Meaning in the Public Sphere -- 2.2.1 The Public Sphere and Social Reality -- 2.2.2 Opinion-Forming Media -- 2.2.3 The Feuilleton: Interface Between the Arts and the Social -- References -- Chapter 3: Confirming a Secular World Order: Ingmar Bergman's The Silence -- 3.1 An Overview: The Issue with Censorship and the Material -- 3.2 The Paradigm of the Art's Autonomy -- 3.3 Sexuality and the Order of Representation -- 3.3.1 Metaphoricity -- 3.3.2 Iconicity -- 3.4 Résumé -- References -- Chapter 4: A Moving World: George Orwell's Nineteen Eighty-Four -- 4.1 Defining Freedom (Differently) -- 4.1.1 The Dystopian Paradigm of Political Mobilization -- 4.1.2 Performing Nineteen Eighty-Four Allegorically -- 4.2 The World as Its Future -- 4.3 Résumé -- References -- Chapter 5: The Creation of the Social: Rolf Hochhuth's The Deputy -- 5.1 The Deputy in Context -- 5.2 The Aesthetics of Immediacy -- 5.3 Political Commitment -- 5.4 The Presence of the Past -- 5.5 Résumé -- References -- Chapter 6: The Social Visibility of Corporeality: The Rebel Youth Films in the Fifties -- 6.1 Methodological Particularities -- 6.2 Youth as a Liminal Figure -- 6.2.1 The Wild One -- 6.2.2 Blackboard Jungle -- 6.2.3 Rebel Without a Cause -- 6.2.4 Rock Around the Clock -- 6.3 The Aesthetics of Presence/Appearance -- 6.3.1 The Wild One -- 6.3.2 Rebel Without a Cause -- 6.3.3 Rock Around the Clock -- 6.4 Résumé -- References.