Suchergebnisse

The world presented and not presented in the former Yugoslavia. Not everyone puts their eternal myths on banners in order to kill others. The question is how a nation transforms myths into art, and in particular into theatre. A sudden focus in the Yugoslavia, which no longer existed, on topics that used to be forbidden, was a natural reaction to the previous existence of taboo. When Poland was celebrating its accession to the European community, the citizens of Yugoslavia were experiencing the nightmare of war. Later, the transformation reached them as well. And with it came corruption, theft, gangsters and kitch-coloured life. The dissolution of Yugoslavia was overzealously supported by ideologues and politicians. The authors of the new generation, such as Biljana Srbljanović and Milena Marković Serbia, Ivana Sajko and Tena Štivičić Croatia, Dorutina Basha an Albanian from Kosovo, write about what people living in the former Yugoslavia lost irretrievably. And in this way they fight the servile function of art towards the official ideology. But does anyone want to hear what the theatre warns against? Transformation of the world is a political project, which always finds its place in the theatre, if only a group of people meet, sharing common beliefs and ideas and wishing to change the world. Someone said so once in the former Yugoslavia.Prikazan i neprikazan svet bivše Jugoslavije. Ne ispisuju svi svoje prastare mitove na barjacima kako bi ubijali druge. Ono što je bitno je kako svaki narod pretvara mitove u umetnost, a posebno u pozorište. Naglo okretanje prethodno zabranjenim temama bila je, u već nepostojećoj Jugoslaviji, prirodna reakcija na dotadašnje tabue. Dok se Poljska radovala zbog pridruženja ujedinjenoj Evropi, građani Jugoslavije doživljavali su košmar rata. Onda je i kod nijh stigla transformacija. A sa njom korupcija, lopovluk, gangsteri i kičasto-šareni život. Raspad Jugoslavije je postignut uz svesrdnu podršku ideologa i političara. O tome što su ljudi, koji su tamo živeli, nepovratno izgubili, pišu autori nove generacije kao što na primer Bilijana Srbljanović i Milena Marković Srbija, Ivana Sajko i Tena Štivičić Hrvatska, Dorutina Basha Albanka iz Kosowa. I na taj se način suprotstavljaju stavu da umetnost prati zvaničnu ideologiju. Ali da li iko želi da čuje na šta upozorava pozorište? Menjanje sveta je politički projekat koji će naći mesto u pozorištu kada se okupi grupa istomišljenika koji imaju volju da menjaju svet. Jednom je neko tako rekao u bivšoj Jugoslaviji.