Suchergebnisse

Within this book, the editor establishes a dialogue between historians and musicologists bringing the idea that music is not only a musicological object but can even be a powerful tool for historians to understand and narrate the history of international relations in the 20th century. In this vein, contributors to the book were selected among both disciplines and according to their respective interests within the related sub-disciplines of history and musicology, but also for their attention to particular concepts and theories the editor decided to highlight – genres (musical), Cold War, manipulation, communication, and the state.

In recent years, the question of "difference" has become a central feature of public debate and social concern, especially in the context of transnational migration. The underlying question that we attempt to answer in this article is: how can we talk about difference without reinforcing prejudice? Starting from the observation that perceptions and representations of difference have an impact on the way that individuals and groups interact with each other in increasingly diverse urban environments, we argue that a systemic approach to the analysis of intercultural situations gives us a unique window into emerging discourses and evolving norms about difference. After a brief historical overview of debates surrounding cross-cultural comparison in anthropology, we consider how various fields outside of anthropology have drawn inspiration from anthropology in order to gain a deeper understanding of intercultural dynamics in various professional settings. This article also examines several anthropological concepts that have been used as tools to theorize cross-cultural comparison, and how participants in a new research methodology use the systemic notion of "cultural variables" to resolve the basic paradox underlying pluralist philosophy and practice.