Suchergebnisse

This study explores the ways in which the desert, as topographical space and cultural presence, shaped and reshaped concepts and images of America. Once a territory outside the geopolitical and cultural borders of the United States, the deserts of the West and Southwest have since emerged as canonical American landscapes. Drawing on the critical concepts of American studies and on questions and problems raised in recent debates on ecocriticism, The Poetics and Politics of the Desert investigates the spatial rhetoric of America as it developed in view of arid landscapes since the mid-nineteenth century. Gersdorf argues that the integration of the desert into America catered to the entire spectrum of ideological and political responses to the history and culture of the US, maintaining that the Americanization of this landscape was and continues to be staged within the idiomatic parameters and in reaction to the discursive authority of four spatial metaphors: garden, wilderness, Orient, and heterotopia.

In search of new literary voices that might present an answer to Amitav Ghosh's 2016 lament on the failure of contemporary literary fiction to find forms that adequately express the multiple challenges of the Anthropocene, I came across a review of Allegra Hyde's debut novel in the Los Angeles Times. The novel's title, Eleutheria, was suggestive enough to pique my interest: etymologically, it evokes the concepts of liberty and freedom; geographically, it calls to mind the small island of Eleuthera in the Bahamas that was colonized in the late 1640s by a group of English Puritans known as the Eleutheran Adventurers. Add to this that Willa Marks, the novel's narrator-protagonist, is a twenty-two-year-old member of Generation Z, the same generation as the students we teach these days, and Eleutheria (2022) becomes a worthy candidate for an American Studies syllabus. What kind of narrative tapestry was the author able to weave out of the materials of history, climate change, and a young generation's growing frustration with the ecological and political state of the world? I was ready to discuss these and similar questions with a group of students in a seminar on Anglophone Literature in the Anthropocene during the summer semester 2023. Serendipitously, the son of an American colleague and long-time friend studied with Allegra Hyde at Oberlin College, where she is Assistant Professor of Creative Writing. He suggested that she might be willing to discuss her novel with a group of German students. When I issued the invitation to join us digitally for one session, she accepted. I interviewed Hyde, who is also the author of two short story collections – Of This New World (2016) and The Last Catastrophe (2023)– a few days later. The following text is the transcript of that conversation. It has been edited for readability.

"In 'Democratic Vistas', a text that responds to the United States's devastating experiences of the Civil War, Walt Whitman reminds his readers that the nation should continue to find its political ideals and cultural purposes in "the Laws of Nature and of Nature's God." His concept of nature was anchored in the ideas of eighteenth-century natural rights philosophy, but also in Ralph Waldo Emerson's definition of nature "in the common sense" as a totality of essences unaltered by human labor and industry. Whitman's contention that nature provides the concepts and ideas at the core of America's political, cultural, and social structure, and the nowadays suggestion that nature's massive restructuring will not remain without consequences for modern culture(s), offer the conceptual and historical frame for the essays collected in this volume. They all investigate the social, political, ethical and aesthetic questions and controversies that are raised in the study of America in a so-called postnatural world."-- From publisher's website

Today, coolness is a term most often used in advertising trendy commodities, or, more generally, in promoting urban lifestyles. The Cultural Career of Coolness explores the history of the term as a metaphor for affect control and aesthetic detachment, charts various cultural practices of coolness in the US and Japan, and links them to the rationalization of intimate relations and an incorporation of disaffection in modernity