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What we eat - as well as how it is produced, processed, moved, sold, and used by our bodies seems to matter like never before. Global Foodscapes takes on this topicality and asks readers to think about how we are all involved in the making of an odd and, in many ways, troubling and contested food economy. It explores how food is conceived, traded, grown, reared, processed, sold, and consumed; investigates what goes wrong along the way; and assesses what diverse people around the world are doing to fix these faults. The text uses a carefully-crafted framework that explores the interaction of five forms of oppression and five means of resistance as they are worked out over five stages in the food economy. It draws on case studies from around the world that illuminate key issues about food in today's world; examines how oppression affects diverse people caught up in the food economy; and highlights how individuals, groups, and institutions such as governments, but also firms, are trying to improve how we interact with the food system. Global Foodscapes is a highly accessible and useful text for undergraduate students interested in the global food economy. The global range of case studies, examples, and reference points, as well as its original framework allows the text to speak to diverse audiences and generate debate about whether anything - and if so, what - needs to be done about the food system we depend upon so heavily. Additional materials such as suggested readings and discussion points help students consider the issues at hand and conduct initial and more detailed research on today's food economy.

Purpose
The purpose of this paper is to elaborate on some of the ways in which I sought to engage in public criminology in this controlled climate.


Design/methodology/approach
In what follows, I introduce some of the work that I supervised and draw out some principles that might be helpful to others, grouped under the headings of teaching, coordination and supervision.


Originality/value
In contributing to the critical pedagogy of the Master of Social Sciences in the Criminology programme "which has for thirty years sought to cultivate critical, independent scholarship among criminal justice practitioners in Hong Kong", I had the opportunity to contribute, in a small way, to the growth of a grounded Hong Kong criminology.

Despite recent controversies over the ontological status of scale, geographers have continued to interrogate so-called 'scalar practices'. But not enough has been said about the skill involved in making these practices successful. Geographers have overlooked the potential for thinking through the craft of scalar practices. I therefore introduce 'scalecraft', a concept which builds upon existing work and is intended to draw attention to and elaborate upon the skills, aptitudes, and experiences at issue in working with scale. A relatively diverse set of secondary materials selected from recent academic literature is used first to demonstrate how scalar practices entail failures, learning, complex machinations, and innovations. I then use materials from my own research in South Africa into white farmers' practices which fashion an organic scale of action amidst a space–time of uncertainty and insecurity.

ABSTRACTCompleting restitution, a key element of South Africa's land reform programme, entails government acquisition of white‐owned farms. Some white farmers are willing to sell and consequently the government has paid them full market‐related compensation. Others, however, refuse to sell, a right they have under the terms of the willing‐seller, willing‐buyer principle to which the government has committed itself. Why white farmers refuse to sell, even when compensation is on offer, is poorly understood. This paper therefore draws on qualitative research concerning white farmers in the Levubu area of northern Limpopo province to fill this gap in knowledge. The paper asks why white farmers are refusing to sell land to make way for restitution. It interrogates the material and symbolic factors affecting farmers' action and demonstrates that the respondents' justified their stance in relation to shifts in power in the agricultural sector, developments in land reform practice, and the respondents' strong emotional bond to the land. In so doing, the paper calls into question the underlying (materialist) logic of the government's mode of land acquisition.

This book takes students on a guided tour of the gang phenomenon through history, as well as current representations of gangs in literature and media. It includes: - A detailed global overview of gang culture, covering, amongst others, Glasgow, Chicago, Hong Kong, and Shanghai - A chapter on researching gangs which covers quantitative and qualitative methods - Extra chapter features such as key terms, chapter overviews, study questions and further reading suggestions. Fraser brings together gang-literature and critical perspectives in a refreshingly new way, exploring 'gangs' as a social group with a long and fascinating history.

Drawing on four years of varied ethnographic fieldwork in Langview, a deindustrialised working-class community in Glasgow, this book tells a unique and powerful story of young people, gang identity, and social change, challenging perceptions of gangs as a novel, universal, or pathological phenomenon.

Drawing on four years of varied ethnographic fieldwork in Langview, a deindustrialised working-class community in Glasgow, this book tells a unique and powerful story of young people, gang identity, and social change, challenging perceptions of gangs as a novel, universal, or pathological phenomenon

Is it possible to experience the joy and benefits of computing in a way that asserts individual and collective autonomy? Drawing on the ideas of the 'slow movement', Slow Computing sets out numerous practical and political means to take back control and counter the more pernicious effects of living digital lives.

AbstractDespite frequent associations, deindustrialization features rarely in studies of organized crime, and organized crime is at best a spectral presence in studies of deindustrialization. By developing an original application of Linkon's concept of the "half‐life," we present an empirical case for the symbiotic relationship between former sites of industry and the emergence of criminal markets. Based on a detailed case‐study in the west of Scotland, an area long associated with both industry and crime, the paper interrogates the environmental, social, and cultural after‐effects of deindustrialization at a community level. Drawing on 55 interviews with residents and service‐providers in Tunbrooke, an urban community where an enduring criminal market grew in the ruins of industry, the paper elaborates the complex landscapes of identity, vulnerability, and harm that are embedded in the symbiosis of crime and deindustrialization. Building on recent scholarship, the paper argues that organized crime in Tunbrooke is best understood as an instance of "residual culture" grafted onto a fragmented, volatile criminal marketplace where the stable props of territorial identity are unsettled. The analysis allows for an extension of both the study of deindustrialization and organized crime, appreciating the "enduring legacies" of closure on young people, communal identity, and social relations in the twenty‐first century.

Abstract
When ngā taonga pūoro (traditional instruments of the Māori) practitioners improvise music in the natural environment, they can be seen as explorers navigating and traversing the contours of the acoustic landscapes. As these practitioners come into dialogue with the non-humans of the natural environment, they are able to transform these relational experiences into sound phenomena, which in turn (re)create places that are meaningful to the practitioner and their audiences – human and otherwise. Taking a point of departure in a discussion between anthropologist Sebastian J. Lowe and renowned taonga pūoro practitioner Alistair Fraser, this article looks at how Fraser enters into Te Ao Māori (the Māori world or dimension) and comes into dialogue with the entities of Te Ao Tūroa (the natural world). In 2013, Fraser released an album called Rakiura (Stewart Island), which he made as part of a Creative New Zealand/ Department of Conservation (DOC) Wild Creations Artist Residency. Throughout his six-week field research together with local iwi Ngai Tahu in 2011, Alistair researched, made and performed taonga pūoro from the area of southern Aotearoa/New Zealand. This article, which takes Fraser's album as an ethnographic case study, aims to challenge the way we explore, expand and extend our appreciation of acoustic Aotearoa, thereby potentially opening up new spaces for understanding, interacting and ultimately respecting our environments.