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In: Emil and Kathleen Sick Book Series in Western History and Biography Ser
Intro -- Contents -- Preface and Acknowledgments -- Introduction -- 1. People of the River -- 2. Making Treaties, Making Tribes -- 3. They Mean to Be Indian Always -- 4. Places of Persistence -- 5. Spaces of Resistance -- 6. Home Folk -- 7. Submergence and Resurgence -- Conclusion -- Notes -- Bibliography -- Index.
In: Labor: studies in working-class history of the Americas, Band 17, Heft 4, S. 138-140
ISSN: 1558-1454
In: Comparative American studies: an international journal, Band 17, Heft 2, S. 117-141
ISSN: 1741-2676
In: American Indian culture and research journal: AICRJ, Band 42, Heft 3, S. 93-118
Nipo Strongheart's role in the DeMille production of Braveheart enables us to see the Native American performers of his generation as actors, in multiple senses of the word, not as mere objects of the cinematic gaze. Like other "contact zones" where Indigenous intellectuals and performers engage with non-Indigenous audiences and expectations, Native agency was exercised in the movie industry as well. This article demonstrates that even as they forged careers and identities in studio Hollywood, professionals such as Strongheart would negotiate the terms of Native representation and attempt to disrupt the dominant discourse.
In: Elohi: peuples indigènes et environnement, Heft 2, S. 13-27
ISSN: 2268-5243
In: Labor: studies in working-class history of the Americas, Band 8, Heft 2, S. 147-149
ISSN: 1558-1454
In: Labor: studies in working-class history of the Americas, Band 7, Heft 2, S. 121-123
ISSN: 1558-1454
In: Labor: studies in working-class history of the Americas, Band 13, Heft 3-4, S. 268-270
ISSN: 1558-1454
In: American Indian Culture and Research Journal, Band 31, Heft 2, S. 113-166