David Craven (1951–2012): Marxist Historian of Art from las Américas
In: Historical materialism: research in critical marxist theory, Band 20, Heft 3, S. 111-112
ISSN: 1569-206X
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In: Historical materialism: research in critical marxist theory, Band 20, Heft 3, S. 111-112
ISSN: 1569-206X
In: Historical materialism: research in critical marxist theory, Band 19, Heft 4, S. 33-44
ISSN: 1569-206X
Abstract
On the occasion of the 150th anniversary of the beginning of the American Civil War, Historical Materialism has brought together some of the most significant Marxist scholars working in this area to debate the issues. This text introduces some of the questions raised by the Civil War and Southern slavery for Marxists and introduces the essays that follow.
In: Historical materialism: research in critical marxist theory, Band 18, Heft 2, S. 165-176
ISSN: 1569-206X
New books by Caroline Arscott and Mike Sanders return to the vexed problem of Marxism and aesthetics. For some time, there has been an intense suspicion of aesthetic thought in Marxist circles, where it is perceived as an ideology perpetrating a false resolution of contradictions. Arscott and Sanders understand aesthetics to be at the heart of the communist imagination: Arscott offers a detailed investigation of how the body is inhabited in the art of William Morris and Edward Burne-Jones; Sanders considers the figure of the poet in Chartism as a spur to radicalism. Engaging with these books, this review calls for a Marxist reconsideration of aesthetic thought and artistic practice.
In: Historical materialism: research in critical marxist theory, Band 17, Heft 2, S. 84-102
ISSN: 1569-206X
AbstractBased on an account of the Brighton Photo-Biennial Memory of Fire: The War of Images and Images of War, curated by Julian Stallabrass in late 2008, this essay considers the photographic coverage of the recent imperialist interventions in the Middle East. Taking its cue from Stallabrass's event, it reflects on the decline of documentary and photojournalism since the Vietnam War and the current attenuated politics of the media. It argues that the problem of the sublime extends beyond the current genre of 'aftermath'-photography and asks what might constitute a more cognitively adequate politics of the image.
In: Historical materialism book series volume 128
This collection of some 32 articles and essays by Adrian Rifkin were written over a period of forty years. It contains innovative and influential studies of the archives of art, urbanism, music and popular life in France and Britain during the nineteenth and twentieth centuries. Arranged around a number of studies of the representation of the Paris Commune, the book also contains chapters on Edith Piaf's role in French culture, histories of art education, opera and queer life in the city as well as analytical accounts of the commodity and cultural theory in Adorno and Benjamin. An extended introduction by Steve Edwards works over the questions of uneven time in Marxist cultural theory and the disciplinary formations that underpin many of Rifkin's essays.
In: The Journal of Beta Investment Strategies, Direct Indexing 2023, 14 (3) 58-68 DOI: 10.3905/jbis.2023.1.042
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In: Historical materialism: research in critical marxist theory, Band 18, Heft 4, S. 135-171
ISSN: 1569-206X
AbstractStarting from the 2009 Istanbul Biennial, with its Brechtian curatorial theme, this essay considers the Left's varying responses to art's so-called 'political turn'. Discussion ranges from the local and regional context of the Biennial's function as part of Turkey's bid to join the EU, through to a longer theoretical perspective on the critical debates over 'art and life', artistic autonomy and heteronomy, and the revival in avant-gardism. The authors propose that the standard accounts of the intimate connection between the commodity and art have become politically counterproductive. They suggest that Marxist analysis needs to develop a more complexly-articulated philosophical reflection on the relation between economy, politics, and art ‐ and between political and aesthetic praxes ‐ if it is to advance its longstanding contributions to considerations of 'aesthetics and politics'.
In: Journal of current issues and research in advertising, S. 1-15
ISSN: 2164-7313
Sustainable development aims at addressing economic, social, and environmental concerns, but the current lack of responsive environmental governance hinders progress. Short-term economic development has led to limited actions, unsustainable resource management, and degraded ecosystems. The UN Sustainable Development Goals (SDGs) may continue to fall short of achieving significant progress without a better understanding of how ecosystems contribute to achieving sustainability for all people. Ecosystem governance is an approach that integrates the social and ecological components for improved sustainability and includes principles such as adaptive ecosystem co-management, subsidiarity, and telecoupling framework, as well as principles of democracy and accountability. We explain the importance of ecosystem governance in achieving the SDGs, and suggest some ways to ensure that ecosystem services are meaningfully considered. This paper reflects on how integration of these approaches into policies can enhance the current agenda of sustainability.
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