Suchergebnisse

The whole class ensemble tuition (WCET) programme in English schools is a somewhat singular and relatively recent arrival onto the teaching and learning scene. It arose from a remark made by an English politician, and has grown from there into becoming a regular feature in the music education landscape in primary schools. It has elements which will be familiar to music educators in many parts of the world, whilst having some aspects which are unique to the English context. In order to place the WCET programme into perspective, this paper outlines the policy context which gave rise to it, and explains what it involves, and how it is operationalised in schools.

AbstractThis article addresses the provision of music education in schools in England, arguing that access to music education is the right of every child and therefore that a high‐quality and sustained curriculum offer must be provided in all state‐funded schools. Music education in England is widely recognised as being marginalised in state schools, despite it being a statutory requirement as part of the National Curriculum. This policy review examines several threats to music education, such as accountability measures, funding cuts, curriculum narrowing and erosion of the teaching workforce, identifying some of the key evidence in each case.