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Shock city: image and architecture in industrial Manchester
From the mid-eighteenth century to the nineteen-twenties, from the birth of the Industrial Revolution to the height of Manchester's global significance and the beginning of its decline, Shock City challenges the idea that Paris was the "capital of the nineteenth century." Mark Crinson reorients this issue around the development of industrial production, particularly cotton and its manufacture by means of steam power, offering a fascinating and accessibly written account of how new relations in the industrial economy were manifested through the spaces and representations of the first industrial city. Focusing on Manchester's mills and warehouses, its main trading institution (the Royal Exchange), its magnificent Gothic Revival Town Hall, and its late Gothic Revival Rylands Library, this book explores these iconic buildings alongside paintings, prints, maps, and photographs of the city throughout the period. Crinson interweaves analysis of buildings and images, urban spaces and new institutions, technology and industrial pollution to show how these were all the products of Manchester's newly emergent industrial middle classes, who remade the city in their image
Urban memory: history and amnesia in the modern city
Urban memory : an introduction / Mark Crinson -- Trauma and memory in the city : from Auster to Austerlitz / Graeme Gilloch and Jane Kilby -- Urban memory/suburban oblivion / Claire Pajaczkowska -- Clocking off in ancoats : time and the industrial city / Mark Crinson and Paul Tyrer -- Concrete and memory / Adrian Forty -- Totemic Park : symbolic representation in post-industrial space / Paul Tyrer and Mark Crinson -- Remembering, forgetting, and the industrial gallery space / Richard Williams -- The future of the past : archiving Singapore / John Phillips -- 9/11 / Neil Leach -- Mnemotechny of the industrial city : contemporary art and urban memory / Mark Crinson.
Neo-avant-garde and postmodern: postwar architecture in Britain and beyond
In: Studies in British art 21