Suchergebnisse

"This follow-up to the classic text of The Monstrous-Feminine analyses those contemporary films which explore social justice issues such as women's equality, violence against women, queer relationships, race and the plight of the planet and its multi-species. Examining a new movement - termed by Creed as Feminist New Wave Cinema - The Return of the Monstrous-Feminine explores a significant change that has occurred over the past two decades in the representation of the monstrous-feminine in visual discourse. The Monstrous-Feminine is a figure in revolt on a journey through the dark night of abjection. Taking particular interest in women directors who create the figure of the Monstrous-Feminine, in cinema that foregrounds everyday horrors in addition to classic horror, Creed looks at a range of diverse films including The Babadook, A Girl Walks Home Alone at Night, Nomadland, Carol, Raw, Revenge, and the television series The Handmaid's Tale. These films center on different forms of revolt, from inner revolt to social, supernatural and violent revolt, which appear in Feminist New Wave Cinema. These relate in the main to the emergence of a range of social protest movements that have gathered momentum in the new millennium and given voice to new theoretical and critical discourses. These include: third and fourth wave feminism, the #MeToo movement, queer theory, race theory, the critique of anthropocentrism and human animal theory. These theoretical discourses have played a key role in influencing Feminist New Wave Cinema whose films are distinctive, stylish and diverse. This is an essential companion to the original classic text and is ideal for students in Gender and Media, Gender and Horror, Gender and Film and Feminist Film theory courses"--

Possums and rats are both found in large numbers in the city of Melbourne, Australia. The two species share much in common, including an ability to flourish among humans and a predisposition for building nests in houses and eating food and plants intended for humans. Yet despite numerous similarities possums and rats are afforded strikingly different levels of protection before the law. The death of a possum must be justified and carried out painlessly. The same does not apply to rats, who may be exterminated freely and in ways that are painful. Considered from the perspective of the principle of "unnecessary suffering" we find that such inconsistent treatment is difficult to justify. We find that the rat's historical association with disease may account for some of our animosity towards the species. Popular culture, which accords favorable treatment to possums and adopts contradictory attitudes to rats, appears to influence our attitudes in important ways. Our study does not demonstrate one way or the other whether rats are often used to represent undesirable characteristics because many humans have an aversion to them, or whether we have an aversion to them because of the cultural messages that encourage us to perceive of rats as abject. Rather, our conclusion is that human cruelty to animals is contradictory and irrational and that when another species potentially threatens human lives and human self-interest we react brutally and without due consideration.