Suchergebnisse

Cover -- Contents -- List of Figures and Table -- List of Music Examples -- Notes on Contributors -- General Editor's Preface -- Preface -- Introduction: Embodying Sound/Sounding Bodies -- Part I Constructing the Popular -- 1 The Problem of Popularity: The Cancan Between the French and Digital Revolutions -- 2 Bellowhead: Re-entering Folk through a Pop Movement Aesthetic -- 3 Sound Understandings: Embodied Musical Knowledge and 'Connection' in a Ballroom Dance Community -- Part II Authenticity, Revival and Reinvention -- 4 Dancing Out of Time: The Forgotten Boston of Edwardian England -- 5 The English Folk Voice: Singing and Cultural Identity in the English Folk Revival, 1955-65 -- 6 Halling as a Tool for Nationalist Strategies -- Part III (Re)Framing Value -- 7 Rocking the Rhythm: Dancing Identities in Drum 'n' Bass Club Culture -- 8 Authenticity, Uplift, and Cultural Value in Bahian Samba Junino -- 9 Hierarchical Reversals: the Interplay of Dance and Music in West Side Story -- 10 Talking Machines, Dancing Bodies: Marketing Recorded Dance Music before World War I -- Part IV Politics of the Popular -- 11 Superficial Profundity: Performative Translation of the Dancing Body in Contemporary Taiwanese Popular Culture -- 12 Keeping the Faith: Issues of Identity, Spectacle and Embodiment in Northern Soul -- 13 Jazz, Dance and Black British Identities -- Epilogue: Terms of Engagement -- Bibliography -- Index.