Suchergebnisse

Community development is seen as a crucial factor to realize sustainable development and vice versa, and for indigenous peoples in particular due to their associations with nature and natural resources. However, historical exploitation of indigenous peoples has resulted in their underachievement worldwide. The popularization of the concept of sustainable development followed a series of international treaties and conventions that shed light on indigenous peoples&rsquo ; revival. Drawing upon Michel Foucault&rsquo ; s notion of the power-knowledge relationship, this article uses a case study of an indigenous tribe, the Smangus in Taiwan, to demonstrate how a politically, socially and economically disadvantaged community incorporates their traditional norms and customs into the notion of sustainable development and reinterprets it to adapt the community&rsquo ; s conditions. By re-uniting the community and establishing a cooperative organization, the community has revived cohesion in their community. The community&rsquo ; s conduct is investigated through the United Nations&rsquo ; Sustainable Development Goals 2015&ndash ; 2030, and the article illustrates how it fulfils three Targets and the extent to which they are fulfilled. To conclude, Smangus&rsquo ; case remind us of the importance of achieving sustainable development goals on micro- and local levels, and the value of empowering local communities to pursue their own sustainable development goals according to their circumstances. This article ends with suggestions for future research, and suggests that more studies using such a bottom-up approach to sustainable development would help to accumulate knowledge and experiences to establish a pattern of success to help other disadvantaged communities, draw focus to the need to bridge the policy gaps between the United Nations and local communities, and recall attention to the role of micro- and local communities to achieve sustainable development goals.

Abstract
During the literary revolution, Hu Shi 胡適 (1891–1962) advocated the concept of natural rhythm, emphasizing the liberation of sound and the segmentation of meaning. Since 1919, his writings have attracted a great number of writers to reconceptualize the meaning and function of poetry and language. This study reviews critical discussions of the relationships among sound, meaning, and poetry by a number of Chinese scholars, from Tang Yue 唐鉞 (1891–1987) and Hu Pu'an 胡樸安 (1878–1947), to Chen Shih-hsiang 陳世驤 (1912–71), among others. Their discussions of rhythm and the relation it has to emotion and motion have yet to attract enough critical attention in the English-speaking world. This article explains how these scholars built on or challenged Hu Shi's findings to provide new ways of assessing the production of sound and meaning in Chinese language and literature.