Suchergebnisse

"Concentrating on the formative years of the Cold War from 1943 to 1957, Patryk Babiracki reveals little-known Soviet efforts to build a postwar East European empire through culture. Babiracki argues that the Soviets involved in foreign cultural outreach used 'soft power' in order to galvanize broad support for the postwar order in the emerging Soviet bloc. Populated with compelling characters ranging from artists, writers, journalists, and scientists to party and government functionaries, this work illuminates the behind-the-scenes schemes of the Stalinist international propaganda machine. Based on exhaustive research in Russian and Polish archives, Babiracki's study is the first in any language to examine the two-way interactions between Soviet and Polish propagandists and to evaluate their attempts at cultural cooperation. Babiracki shows that the Stalinist system ultimately undermined Soviet efforts to secure popular legitimacy abroad through persuasive propaganda. He also highlights the limitations and contradictions of Soviet international cultural outreach, which help explain why the Soviet empire in Eastern Europe crumbled so easily after less than a half-century of existence"--Provided by publisher

Drawing on Polish, US, French, British and German archival documents, this article examines the encounters between Western and Polish participants at the International Trade Fair in the Polish city of Poznań in the 1950s and 1960s. Challenging the predominant Cold War framework, it shows that Westerners who came to Poznań drew on power and privilege while pursuing personal interests. Consequently, the author both highlights the self-indulgence of the well-known story about the largely emancipatory motivations of Westerners who became involved with Eastern European affairs in the second half of the twentieth century and demonstrates that the resulting patterns of interactions are only tangentially related to Cold War political struggles. Instead, the article shows that these encounters are best seen in the context of a relationship between Westerners and East Europeans that spans decades, and even centuries, and that involved encounters fraught with contestation over economic power and cultural dominance.

Engaging with regional, international, and spatial histories, this article proposes a new reading of the twentieth-century Polish past by exploring the vicissitudes of a building known as the Upper Silesia Tower. Renowned German architect Hans Poelzig designed the Tower for the 1911 Ostdeutsche Ausstellung in Posen, an ethnically Polish city under Prussian rule. After Poland regained its independence following World War I, the pavilion, standing centrally on the grounds of Poznań's International Trade Fair, became the fair's symbol, and over time, also evolved into visual shorthand for the city itself. I argue that the Tower's significance extends beyond Posen/Poznań, however. As an embodiment of the conflicts and contradictions of Polish-German historical entanglements, the building, in its changing forms, also concretized various efforts to redefine the dominant Polish national identity away from Romantic ideals toward values such as order, industriousness, and hard work. I also suggest that eventually, as a material structure harnessed into the service of socialism, the Tower, with its complicated past, also brings into relief questions about the regional dimensions of the clashes over the meaning of modernity during the Cold War.

SUMMARY:
В статье представлена социальная и идейная история поляков, обучавшихся в Советском Союзе в 1948–1957 гг. Представления польских студентов этого поколения о советском настоящем в СССР и социалистическом будущем Польши (равно как и их понимание собственных политических и моральных прав) во многом противоречили требованиям советских бюрократов и польских коммунистов, отвечавших за студентов в советских учебных заведениях. В статье анализируются природа и история этого конфликта, а также его влияние на советский проект в Восточной Европе. Автор показывает, что, стремясь заменить довоенные кадры польскими специалистами, подготовленными в советских вузах, польское коммунистическое руководство создало институциональную среду для подрывной политической деятельности и инакомыслия.