Suchergebnisse

White and deadly : sugar and the sweet taste of freedom -- Tragedies of emancipation : freedom, sex, and theft after slavery -- Thwarting neoliberalism : boredom, dysfunction, and other visionless challenges -- Freedom as climate destruction : guts, dust, and toxins in an era of consumptive sovereignty.

In Ugly Freedoms Elisabeth R. Anker reckons with the complex legacy of freedom offered by liberal American democracy, outlining how the emphasis of individual liberty has always been entangled with white supremacy, settler colonialism, climate destruction, economic exploitation, and patriarchy. These "ugly freedoms" legitimate the right to exploit and subjugate others. At the same time, Anker locates an unexpected second type of ugly freedom in practices and situations often dismissed as demeaning, offensive, gross, and ineffectual but that provide sources of emancipatory potential. She analyzes both types of ugly freedom at work in a number of texts and locations, from political theory, art, and film to food, toxic dumps, and multispecies interactions. Whether examining how Kara Walker's sugar sculpture A Subtlety, Or the Marvelous Sugar Baby reveals the importance of sugar plantations to liberal thought or how the impoverished neighborhoods in The Wire blunt neoliberalism's violence, Anker shifts our perspective of freedom by contesting its idealized expressions and expanding the visions for what freedom can look like, who can exercise it, and how to build a world free from domination

Hillary Clinton's memoir of the 2016 election and her life in politics, What Happened, is an affective rollercoaster. Wrath, frustration, regret, and sorrow, among other intensified emotions, saturate the book's pages. This range of affect is surprising for a political autobiography. Books in this genre typically present their subject-selves as stalwart and emotionally controlled actors whose range of feeling is limited to the proper amount of righteous irritation or vague empathy necessary to justify a policy proposal. None has the rawness of Clinton's book, a rawness that is, I would argue, made possible by her gender. This is one of the few vectors of political expression that is expanded, not contracted, for Clinton in her role as the first woman to become a major-party presidential candidate.