Suchergebnisse

This article draws from interviews with creators of television fiction (directors and screenwriters) with professional experience in Greek private television and examines how and why fiction programmes are produced in a commercial context. By focusing on the first decade of private television in Greece, an era popularly remembered as the 'golden age of Greek television', this study makes use of accounts from 'exclusive informants' in order to complicate facile assumptions about the relationship between commercialization, ideology and entertainment. As such, this article aspires to update the (limited) scholarship on Greek television production culture and to contribute to the recent research focusing specifically on private television in Greece.

This introductory article to the Special Issue 'Greek Screen Industries' of the Journal of Greek Media and Culture offers a critical overview of the recently emerging field of Media Industry Studies and situates existing work on Greek screen industries in its context. It argues that the current fragmentation and lack of dialogue between social sciences and arts and humanities approaches on the topic is particularly marked in the Greek context, a fact that can be explained by institutional and historical reasons. It calls for an expansion of the agendas privileged by political economy approaches to screen media towards the more pluralistic, empirical and culture-orientated perspectives facilitated by Media Industry Studies.