Suchergebnisse

This pair of texts, article and response – a performance poem of sorts – focuses on the sexual and textual erotics which circulate in the texts written by Jacques Derrida and Hélène Cixous for and about each other. It is based on Michael O'Rourke's 'The Divivacities of Cixous and Derrida', a keynote lecture delivered at the Bodies in Movement conference at Edinburgh in May of 2011 and Kamillea Aghtan's response to O'Rourke. It seeks to discuss the textual intimacies of Hélène Cixous, Jacques Derrida (and by reflection Michael O'Rourke and Kamillea Aghtan) and the various sensual bodies of text created between them. As O'Rourke enfolds his textual subjects, Aghtan repositions O'Rourke's conception of textual friendship and love in terms of her response and, by doing so, suggests a new kind of (un)balanced relationship in its writing, the creation of different amalgams and further bodies of text that are thoroughly contingent, multiplying and obstinately open-ended.

The 'material turn' in critical theory - and particularly the turn towards the body coupled with scientific insights from biomedicine, biology and physics - is becoming an important path in fields of humanities-based scholarly inquiry. Material and technological philosophies play an increasingly central role in disciplines such as literary studies, cultural studies, history, performance and aesthetics, to name only a few. This edited collection of essays investigates how the material turn finds applications within humanities-based frameworks - focusing on practical reflections and disciplinary responses. It takes as its critical premise the understanding that importation of theoretical viewpoints is never straightforward; rather, a complex, sometimes even fraught, communication takes place between these disciplines at the imperceptible lines where praxis and theory meet, transforming both the landscape of practical engagement and the models of material theory. Presenting a multi- and interdisciplinary consideration of current research on the cultural relationship to living (and non-living) bodies, Corporeality and Culture: Bodies in Movement puts the body in focus. From performance and body modification to film, literature and other cultural technologies, this volume undertakes a significant speculative mapping of the current possibilities for engagement, transformation and variance of embodied movement in relation to scientifically-situated corporealities and materialities in cultural and artistic practices. Time and time again, it finds these ever-shifting modes of being to be inextricably interdependent and coextensive: movement requires embodiment; and embodiment is a form of movement. About the Editors: Karin Sellberg, University of Queensland, Australia, Lena Wånggren, University of Edinburgh, UK and Kamillea Aghtan, Independent Scholar. Publisher's note.