First published in 1986, Lila Abu-Lughod's Veiled Sentiments has become a classic ethnography in the field of anthropology. During the late 1970s and early 1980s, Abu-Lughod lived with a community of Bedouins in the Western Desert of Egypt for nearly two years, studying gender relations, morality, and the oral lyric poetry through which women and young men express personal feelings. The poems are haunting, the evocation of emotional life vivid. But Abu-Lughod's analysis also reveals how deeply implicated poetry and sentiment are in the play of power and the maintenance of social hierarchy. Wha
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Frequent reports of honor killings, disfigurement, and sensational abuse have given rise to a consensus in the West, a message propagated by human rights groups and the media: Muslim women need to be rescued. The author challenges this conclusion. An anthropologist who has been writing about Arab women for thirty years, she delves into the predicaments of Muslim women today, questioning whether generalizations about Islamic culture can explain the hardships these women face and asking what motivates particular individuals and institutions to promote their rights. In recent years the author has struggled to reconcile the popular image of women victimized by Islam with the complex women she has known through her research in various communities in the Muslim world. Here, she renders that divide vivid by presenting detailed vignettes of the lives of ordinary Muslim women, and showing that the problem of gender inequality cannot be laid at the feet of religion alone. Poverty and authoritarianism, conditions not unique to the Islamic world, and produced out of global interconnections that implicate the West, are often more decisive. The standard Western vocabulary of oppression, choice, and freedom is too blunt to describe these women's lives. This work is an indictment of a mindset that has justified all manner of foreign interference, including military invasion, in the name of rescuing women from Islam, as well as a portrait of women's actual experiences, and of the contingencies with which they live.
How do people come to think of themselves as part of a nation? Dramas of Nationhood identifies a fantastic cultural form that binds together the Egyptian nation-television serials. These melodramatic programs-like soap operas but more closely tied to political and social issues than their Western counterparts-have been shown on television in Egypt for more than thirty years. In this book, Lila Abu-Lughod examines the shifting politics of these serials and the way their contents both reflect and seek to direct the changing course of Islam, gender relations, and everyday life in this Middle East
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Lila Abu-Lughod draws on anthropological and feminist insights to construct a critical ethnography of a small Awlad 'Ali Bedouin community in Egypt. She explores how the telling of stories of everyday life challenges the power of anthropological theory to render adequately the lives of others and the way feminist theory appropriates Third World women
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In this interview conducted by Lila Abu-Lughod on October 17, 2020, Palestinian artist Rana Bishara discusses the three artworks that appear on the covers of volume 41 of Comparative Studies of South Asia, Africa and the Middle East, as well as numerous other multidisciplinary and multimedia artworks she has made and exhibited from the 1990s to the present, focusing specifically on art as a form of political activism.
This essay introduces the special section "The Politics of Feminist Politics," which brings together the work of feminist scholars of the Middle East and South Asia to highlight the silences, exclusions, and occlusions that mark the transregional imaginative geographies of both "feminism" and "Islam." Together, these essays suggest that careful analysis of the languages of justice, forms of social and political life, and embodied realities that belong to particular places and times can unseat the "common sense" of liberal feminist discourse and trouble its universalist claims. These essays track the everyday languages and institutions of governance, policing, and morality by working carefully through diverse fields, including legal cases and reasoning, histories of education, dynamics of marriage, arts of linguistic transformation, politics of religious argument, legitimations of state power, and political economies of labor and housing. They analyze the circulations of terms and bodies in the public sphere and in public space, drawing attention not only to the social exclusions and selective silencings that often attend feminist projects but also to their points of openness and to possibilities for a more inclusive politics.