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As an intellectual Jewish immigrant, Hannah Arendt's work is informed by two key factors: the failures of German intellectuals regarding the rise of fascism and the promise of American democracy. Arendt was haunted by the past and the memories of how the democratic structures of the Weimar Republic had been undermined, manipulated, and finally transformed into a totalitarian terror regime. The issues of freedom, equality, and the shortcomings of democratic societies form a transcultural nexus in her oeuvre. This reading of Arendt will reveal how her efforts to deal with a transatlantic traumatic past shaped the felt need to voice democratic dissent in the United States. While much has been said about her theoretical groundwork on the mechanisms of totalitarian systems, Arendt's living conditions as a naturalized foreigner, her enthusiasm for American democracy, and her refusal to return to Germany have been largely neglected. Arendt is usually rooted firmly in a European philosophical context. She has been canonized as one of the foremost philosophical thinkers from Germany on the emergence of totalitarian systems and the Holocaust. This transatlantic force field looms large over the second half of the twentieth century in the realm of culture and politics. Among her fellow intellectual émigrés and exiles such as Adorno, Horkheimer, Marcuse, or Fraenkel, Arendt stands out. She decided not to return to the new democratic Germany with its Grundgesetz fashioned along the lines of the American Constitution. Instead, she insisted on becoming naturalized and used her transnational background as a basis to address democratic gaps from the vantage point of an American citizen. First, Mehring shows in which ways Arendt identified herself as an American and wished to become recognized as an American citizen. Second, he reconnects Arendt's democratic dissent with her efforts to become recognized as an American citizen.

Abstract: Notwithstanding that any allusion to ghosts raises eyebrows, the term congruently evokes metaphysical and existential questions, concepts, and paradigms: death, hauntings, exorcism, healing, and mourning. It may speak to traumatic events—manifested spectrally—that leave an imprint on the psyche. The expression "to lay the ghost to rest" alludes to hauntings and processes of exorcism and healing. This article investigates how these processes condition and define identity politics in the Black and transatlantic world. It taps into contemporary African literature in an attempt not only to map out the literary and social functions of ghosts—as metaphors for historical traumas—and their impact on discursive identity formation but also to probe the role of mourning in healing the haunted. It calls for a critical and sustained evaluation and even denunciation of the historical and traumatic events of slavery and colonialism to avoid a repeat, for the benefit of humanity.

pt. ICold War alliance --1.The Transatlantic Bargain And Defense Of The West --2.Genesis Of The Bargain --3.The Transatlantic Bargain Revised --4.The Bargain Through The Cold War, 1954 -- 1989 --5.The United States And Europe At The End Of The Cold War: Some Fundamental Factors --pt. IIPost-Cold War alliance --6.The 1990S: Transitions And Challenges --7.The 2000S: Turbulent Transatlantic Ties --8.The 2010S: New Tasks, New Traumas --pt. IIIDefense of the West --9.External Threats And Internal Challenges --10.Can The West Survive?.

<p>O objetivo deste artigo é analisar a continuidade e a estrutura dos laços familiares em situações de diáspora e desterritorialidade. A diáspora transatlântica não esgota a questão dos traumas e desvinculamentos acarretados pela escravidão. Trazidos escravizados para o Brasil, os africanos eram ainda vítimas de transações mercantis que os faziam ir, junto com suas famílias aqui criadas, para diferentes províncias do Império, conforme as necessidades locais e os rumos do tráfico interprovincial. Alguns documentos, mesmo que residuais, nos permitem mesclar agência e estrutura na sociedade escravista, e pensar como os arranjos familiares e afetivos se mantinham. A ideia é acompanhar a trajetória de alguns indivíduos africanos e seus filhos crioulos, cogitando como eles construíam e mantinham seus arranjos afetivo-familiares.</p><p><strong>Palavras-chave: </strong>escravidão | diásporas | família |aAlforrias.</p><p><strong><em> </em></strong></p><p><em><strong>Abstract:</strong></em></p><p><em>This paper analyzes the continuity and structure of family ties in diasporic and deterritorial contexts. The transatlantic diaspora</em> <em>does not exhaust the trauma caused by the shattering of affective ties shattered by enslavement. After arriving in Brazil as slaves, Africans were further victimized by commercial transactions that forced them (aas well as members of their families created here) to move to different provinces of the Empire, caught up in the web of the inter-provincial slave trade. Archival evidence, although fragmentary and indirect, provides clues about the mechanisms of agency and structure in slave society, making it possible to understand how family and affective arrangements were maintained. The idea is to follow the trajectories of some Africans and their Creole (i.e., Brazilian-born) children, examining how they built and maintained their affective-family arrangements.</em></p><p><em></em><em><em><strong>Keywords: </strong></em>slavery | diasporas | family | manumissions.</em></p>

Die Dissertation von L. Zuckerman (auch bekannt als Layla Zami) erforscht die Wechselbeziehungen zwischen Erinnerung, Bewegung, Diaspora und Zeit/Raum in Tanzproduktionen des 21. Jahrhunderts. In einer innovativen transkulturellen, transdisziplinären und transtemporalen Perspektive setzt die Publikation den Akzent auf die Solo-Arbeiten von sieben zeitgenössischen Choreograph_innen, die in Deutschland, Frankreich, Taiwan, Martinique, Palästina und den USA leben, und Interpret_innen ihrer eigenen Stücke sind. Ausgehend von der Hypothese, dass Körper eine zentrale Rolle in der Aushandlung und Überwindung von Machtverhältnissen spielen, fragt die Forschung was geschehen kann, wenn tanzende Körper die Vergangenheit in die Gegenwart transportieren, im materiellen und im metaphorischen Sinne. Die Autorin leitet ein neues Konzept ein, das im Englischen sowohl Substantiv als auch Verb ist: (to) perforMemory. Sie reflektiert die Besonderheiten der Ausdruckform Tanz in der Darstellung, Herstellung, und Tradierung von kultureller Erinnerung im Bezug auf historische Traumata wie der Holocaust, der Transatlantische Sklavenhandel, die Maafa, die Nakba und zeitgenössische gesellschaftspolitische Herausforderungen. Das als Spirale konzipierte Buch lädt zu einer Wanderung durch diasporische Tanz_schaften, in denen sich Fragestellungen zu Identität, Körperlichkeit, Zugehörigkeit, Räumlichkeit und Zeitlichkeit entfalten, und sich in der Diskussion von bestimmten Tanzsequenzen wechselseitig beleuchten. Die Doktorarbeit basiert auf den Ergebnissen einer vierjährigen internationalen Forschung. Die Quellen schöpfen aus unterschiedlichen Fachrichtungen, u.a. Gender und Queer Studies, Tanz/Performance, Kulturwissenschaften, Erinnerung, Postkoloniale Studien, Literatur, Quantenphysik, und Lyrik. Die Veröffentlichung beinhaltet ebenfalls die vollständigen Transkripte von persönlichen Gesprächen, die die Autorin mit den Künstler_innen Oxana Chi, Zufit Simon, Wan-Chao Chang, André M. Zachery, Farah Saleh, Christiane Emmanuel und Chantal Loïal aufgenommen hat, sowie Links zu Performance-Ausschnitten. ; The dissertation by L. Zuckerman (aka Layla Zami) explores the interrelations and interactions between memory, movement, diaspora, and spacetime in 21st century dance productions. In an innovative transcultural, transdisciplinary and transtemporal approach, the publication focuses on solo works by seven contemporary dancers-choreographers based in Germany, France, Taiwan, Martinique, Palestine and the USA. Contending that corporeality is a site and a source of power, the research asks what happens when moving bodies propel the past into the present, metaphorically and materially. The author introduces a new concept: (to) perforMemory, which is both a noun and a verb, and discusses the specificity of dance in the production and transmission of cultural memory in relation to historical trauma such as the Holocaust, the Transatlantic Slave Trade, Maafa, the Nakba and contemporary sociopolitical challenges. Conceived in a spiral-like fashion, the book takes the reader through diasporic dancescapes in which notions of identity, home, embodiment, spatiality and temporality unfold and are brought into resonance with each other in the discussion of specific dance examples. The theoretical references connect such various fields as gender studies, dance and performance studies, cultural memory studies, postcolonial studies, literature, quantum physics, queer studies and poetry. Based on doctoral research conducted across the globe from 2013 to 2017, the electronic publication also features the full interview transcripts of personal conversations recorded by the author with the artists Oxana Chi, Zufit Simon, Wan-Chao Chang, André M. Zachery, Farah Saleh, Christiane Emmanuel and Chantal Loïal, as well as links to audiovisual performance excerpts. ; La thèse explore les interrelations et interactions entre mémoire, mouvement, diaspora et espace-temps dans la danse au XXIème siècle. Dans une approche transculturelle, transdisciplinaire et transtemporelle, la publication se concentre sur des pièces solo chorégraphiées et interprétées par sept chorégraphes contemporain.e.s basé.e.s en Allemagne, France, Martinique, Palestine, à Taiwan et aux Etats-Unis. Estimant que les corps humains sont objets et sujets de relations de pouvoir, la thèse étudie ce qui se passe lorsque les corps dansent le passé au temps présent, au sens propre et au sens figuré. L'auteure introduit un nouveau concept: (to) perforMemory, à la fois un substantif et un verbe en anglais. Elle met en relief la spécificité de la danse comme forme de production et transmission de la mémoire culturelle, en relation avec des traumas historiques tels que l'Holocauste, la Traite triangulaire ou Maafa, la Nakba ainsi que des défis sociopolitiques contemporains. Conçu comme une spirale, le livre est une invitation au voyage à travers des paysages diasporiques dansés, dans lequel les notions d'identité, d'appartenance, de spatialité, de temporalité et de représentation émergent tour à tour, et s'illuminent mutuellement dans l'analyse de séquences de danse concrètes. Le corpus théorique puise dans des domaines aussi variés que les études de genre, la danse, les études postcoloniales, la litérature, les Cultural Studies, la physique quantique, les études queer et la poésie. Basée sur des recherches doctorales conduites de 2013 à 2017 à travers le monde, cette publication électronique comprend également les transcriptions intégrales des entretiens personnels menés avec les artistes Oxana Chi, Zufit Simon, Chantal Loïal, Christiane Emmanuel, Farah Saleh, Wan-Chao Chang, et André M. Zachery, ainsi que des liens vers des extraits audiovisuels de spectacles.