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Cover -- Half Title -- Title -- Copyright -- Table of Contents -- Acknowledgements -- Introduction: Contemporary Art and the Age of Television -- Chapter One: Sets, Screens and Social Spaces: Exhibiting Television -- Chapter Two: Quality Television and Contemporary Art: Soaps, Sitcoms and Symbolic Value -- Chapter Three: Reality TV, Delegated Performance and the Social Turn -- Chapter Four: European Television Archives, Collective Memories and Contemporary Art -- Chapter Five: Monuments to Broadcasting: Television and Art in the Public Realm -- Chapter Six: Talk Shows: Art Institutions and the Discourse of Publicness -- Chapter Seven: Production on Display: Television, Labour and Contemporary Art -- Conclusion: Contemporary Art After Television -- Notes -- References -- Index -- Back Cover

In recent years, as well as throughout the world, television in Uzbekistan has been rapidly developing. State and non-state TV channels also play a special role in finding their audience. The issue of speaking is of great importance for a highly professional TV presenter, in general for television journalists, which in turn requires a more consistent introduction of the art of oratory on Uzbek television. In this study, the same questions were examined in relation to the practical process.

This essay examines the role that television played in defining the American image after World War II. lt focuses on how television served to popularize modern painting (especially abstract expressionism and Pop art), and it looks how television contributed to the nationalist goal of creating a uniquely »American « image - distinct from European painting, especially that of Paris. lt argues that television valorized advertising art as the quintessential American and democratic form, and in the process led the way to the popular embrace of Popism. The essay also considers television's role in the gendered economies of the postwar art world. In particular, it considers how television programs about the arts addressed a family/housewife audience, and it also shows how television portrayed artists in relation to gender and sexual politics. ; This essay examines the role that television played in defining the American image after World War II. lt focuses on how television served to popularize modern painting (especially abstract expressionism and Pop art), and it looks how television contributed to the nationalist goal of creating a uniquely »American « image - distinct from European painting, especially that of Paris. lt argues that television valorized advertising art as the quintessential American and democratic form, and in the process led the way to the popular embrace of Popism. The essay also considers television's role in the gendered economies of the postwar art world. In particular, it considers how television programs about the arts addressed a family/housewife audience, and it also shows how television portrayed artists in relation to gender and sexual politics.

Chapter 1: Introduction: Reality Television and Work Health, Safety and Wellbeing -- Chapter 2: Why is Reality TV Work-Related Activity? -- Chapter 3: The Block 2020 Season 16 and its Ordinary Participants -- Chapter 4: Theoretical Underpinnings for The Data -- Chapter 5: Method and Measurement -- Chapter 6: Results And Discussion -- Chapter 7: Conclusion: Is it just me being a Killjoy and what are the Public Optics?.

Mobility studies is remaking how we understand a contemporary world in relentless motion. Media theorist & historian Anne Friedberg was among the first practitioners of visual studies to theorize the experience of mobile vision. Her books have become key points of reference in the discussion of the windows that frame images & the viewers in motion who perceive them. Although widely influential beyond her own discipline, Friedberg's work has never been the subject of an extended study. 'The Moving Eye' gathers together essays by a renowned international group of thinkers in media studies, art history, architecture, & museum studies to consider the rich implications of her work for understanding film & video, new media, visual art, architecture, exhibition design, urban space, & virtual reality. These nine essays advance the lines of inquiry begun by Friedberg.

This paper analyzes the expression form and charm of Chinese cultural symbols in drama, film and television art design.

In this study, three arts programmes were analysed, each with an individual format and specific function: (1) the arts diary which announces the cultural events in Belgium during the coming week; (2) the arts magazine which focuses on two or three works of art with topical connections; (3) the arts documentary which sheds light on an artistic movement or an artist, while under no pressure to be topical. A deliberate sample of 50 art-loving television viewers were surveyed. This sample, although not representative of the Flemish population, undoubtedly provides the greatest opportunity to analyse both the cognitive and emotional reactions of a potential viewing audience. This study is an example of an integrated programme and viewer survey, where both quantitative and qualitative methods are employed. The relevant characteristics of a programme, in terms of form and content, are presented to a selected group of viewers and, where necessary, alternative formats and contents are formulated. This survey was also intended to play a supportive role within the overall programme strategy of the public broadcaster. The questions asked of the viewing audience were in every case determined in consultation with the programme-makers: mostly questions of the viewer's appreciation (evaluation) of programme formats, but also regarding the transfer of knowledge and information achieved by the content of the programme. In addition to a series of questions on their prior knowledge and their knowledge (before and after the viewing session, respectively), those questioned also had to answer a set of evaluation questions. The participants were questioned both individually (by means of in-depth interviews) and in groups (in panel discussions).