Suchergebnisse

"In the antebellum United States, formerly enslaved men and women who told their stories and advocated for abolition helped establish a new genre with widely recognized tropes: the slave narrative. This book investigates how enslaved black Africans conceived of themselves and their stories before the War of American Independence and the genre's development in the nineteenth century. Zachary McLeod Hutchins argues that colonial newspapers were pivotal in shaping popular understandings of both slavery and the black African experience well before the slave narrative's proliferation"--

"This book examines the cultural criticism led by New York intellectuals from the 1960s onwards, considering the influence of such critique on American collective memory and contemporary public culture. With a focus on essays that appeared in Dissent magazine-one of the most important journals of the New York intellectuals-from the year of its launch in 1954 to its most recent issue, as well as representative books on American culture by Daniel Bell and Russell Jacoby, the author contends that post-Sixties narratives constitute a special paradigm of cultural criticism that seek radical possibilities for societal change in the US, based on a use of the 1960s as an index for understanding American cultural and political life. A study of the ways in which narratives can move beyond story-telling to have interpretative and ideological functions as a form of criticism, this book will appeal to scholars of cultural studies and sociology, as well as those working in the fields of linguistics and literary theory"--

History is a tricky business, if only because history, as a phenomenon of the present, subject to scrutiny and manipulation, does not exist: it is, in a very real sense, made up. The study of the history of historical writing is a doubly tricky business because it is not merely what really happened in the past which determined the way people acted and wrote history, but also the way in which people perceived what happened. These complications require that one not only take into account what historians have said but also their perceptions of reality in their own times and the way that perception defined their conception of what was real in the past. Definition becomes the crux of the matter, for the way our predecessors wrote urban history depended upon their definition of their subject matter.

Epistemic injustice is defined by Miranda Fricker as injustice done to people specifically in their capacities as knowers. Fricker argues that this injustice can be either testimonial or hermeneutical in character. A hearer commits testimonial injustice against a speaker by assigning unfairly little credibility to the speaker's testimony. Hermeneutical injustice exists in a society when the society lacks the concepts necessary for members of a group to understand their social experiences. We argue that epistemic injustice is necessary to permit the functioning of race-based chattel slavery and that this necessity is illustrated in slave narratives. The testimonies of slave narratives like those of Frederick Douglass, Olaudah Equiano, Harriet Jacobs, and Mary Prince identify and transform a culture of race-based epistemic hermeneutic and testimonial injustice. Through telling their stories, these agents establish their capacity as knowers and thus resist the epistemic injustice that undergirds the oppressive system of race-based chattel slavery. The authors of slave narratives not only identify race-based epistemic injustice, but actively fight against it.

Ice retreat, vegetation advance -- First peoples/faunal extinctions -- Northern North America a thousand years ago -- Between land, sea, and ice : Inuit, Beothuks, Aleuts, and newcomers -- Natives, nature, and trade in the interior -- Trade and the Huron -- Plagues, preachers, and the transformation of indigenous societies -- Possessing and (re)peopling the land -- Domesticating the land -- Exploiting the waters -- Commercializing the forest -- Fields of exertion -- Harnessing black and white coal -- New urbanism -- Countrysides in transition -- The assault on the forest -- Industrial fishing -- Into the hard rock : northern mining -- Transforming the interior -- Rushing north : gold, the Yukon, and Alaska -- Corridors of modernization -- Power lines -- Northern visions -- Rapacious harvests I : from forests and mines -- Rapacious harvests II : from land and sea -- Urban mapping -- Trade, technology, and the transformation of the environment -- Hubris and hope

The African American slave narrative is popularly viewed as the story of a lone male's flight from slavery to freedom, best exemplified by the Narrative of the Life of Frederick Douglass, An American Slave (1845). On the other hand, critics have also given much attention to Harriet Jacobs's Incidents in the Life of a Slave Girl (1861), to indicate how the form could have been different if more women had written in it. But in stressing the narratives of Douglass and Jacobs as models for the genre, scholars have ignored the formal and thematic importance of marriage and family in the slave narra